’90s Week: Ron Clements and John Musker’s animated reimagining of the Greek myth needed to be a major hit, but its box office disappointment obscures its many enduring strengths.
The Indie Spirit winner has worked across mediums for decades, but as she tells IndieWire, it’s taken her even more time to get used to the idea of being choosy.
Speaking with IndieWire, directors Marc James Roels, Niki Lindroth von Bahr, and Paloma Baeza break down their contributions to the animated film.
The filmmakers take IndieWire inside their haunting feature — which could make Emmys history as the first-ever animated nominee for Outstanding Television Movie.
“The Mitchells vs. The Machines” duo of Phil Lord and Chris Miller call the creator of “Maya and the Three” a pillar of the animation community.
Jake Gyllenhaal and Yahya Abdul-Mateen II star in Bay’s newest big-screen entry into his pro-military, pro-police, and pro-outdated masculinity oeuvre.
SXSW: Jarvis gives a force-of-nature turn in writer-director Antonia Campbell-Hughes’ atmospheric first feature.
After two Oscar nominations and one under-seen studio outing, the director is back with a fact-based thriller about life under occupation.
With “The Worst Person in the World” hitting theaters and a retrospective making the rounds, the acclaimed Norwegian filmmaker reflects on the subtle and overt links between these stories.
Sundance: Teresa Sánchez’s performance in Juan Pablo González’s subdued feature evokes the close-up magic of Renée Jeanne Falconetti.
Sundance: The discovery of a floating rock in a scuzzy L.A. apartment paves the way for Aaron Benson and Justin Moorhead’s wackiest paranormal misadventure yet.
Sundance: The film thrives when it combines magical realism with gorgeously precise cinematography.
