‘Judas and the Black Messiah’: How to Create a Visual Epic with Not Enough Resources
Director Shaka King and Oscar-nominated cinematographer Sean Bobbitt talk about finding their 1960s Chicago in modern-day Cleveland.
Chris O'Falt
Why ‘Nomadland’ Cinematographer Joshua James Richards Is Also the Film’s Production Designer
Along with 5 other things you likely didn’t know about the production of this year’s Oscar frontrunner
The Greatest Horror Movies of All-Time
From underseen Laird Cregar vehicles to a Russian chiller based on a Nikolai Gogol story, from J-Horror to the Mexican gem “Alucarda,” these are the best horror movies the genre has to offer.
Why the ‘Sound of Metal’ Sound Design Is So Effective
Inside Darius Marder and Nicholas Becker’s experiment to create subjectivity through a point of hearing.
Inside ‘Justice League’ with the Cinematographer Who Shot and Fought for Zack Snyder’s Version
Fabian Wagner on being the first to bash the theatrical version, visiting Whedon’s set, and a potential “GoT” reunion with Miguel Sapochnik.
It Happened: What the Legacy of ‘Zack Snyder’s Justice League’ Means for the Future of Film
With the Snyder Cut finally available for the world to see, four IndieWire writers debate if it could possibly leave behind a silver lining.
Emerald Fennell on How Diversity Will Change Craft: ‘Movies Will Look and Sound Different, and That’s Exciting’
The DGA-nominated director on the heightened, colorful femininity of “Promising Young Woman”: “Why shouldn’t we make films that look like this?”
What Does a Childhood Memory Look and Sound Like? How ‘Minari’ Found the Answer
Toolkit Podcast: Director Lee Isaac Chung found visual reverence in remembrance, while composer Emile Mosseri gave the film an otherworldly feel.
The Visceral Cinema of ‘Sound of Metal’ Was Rooted in an Immersive Set
Toolkit Podcast: Riz Ahmed and Darius Marder on putting mics inside the star’s body, the emotion of hearing with our own, and the need for a “Playground of Reality” on set.
Oscar Cinematography Survey: Here Are the Cameras and Lenses Used to Shoot 32 Awards Contenders
How DPs they created the look of “Nomadland,” “Mank,” “Tenet,” “One Night In Miami,” “Chicago 7,” “Judas and the Black Messiah,” and more.
‘Nomadland’: The Spiritual and Filmmaking Connection Between Chloé Zhao and Terrence Malick
Toolkit Podcast: Chloé Zhao and Joshua James Richards break down how their unique filmmaking approach has evolved over three films.
The Music Track Shaka King Played at Every ‘Judas and the Black Messiah’ Pitch
Toolkit Podcast: How Rahsaan Roland Kirk’s “The Inflated Tear” became both star Lakeith Stanfield and the film’s haunting noir theme.
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