Director Hiro Murai, “Atlanta” cinematographer Christian Sprenger, and “This Is America” creative director Ibra Ake have been in Cuba prepping most of the summer.
As the summer gives way to another slammed festival season that will breed yet another nutty awards season, IndieWire tries to suss out the most likely contenders.
18 Emmy-nominated cinematographers on how they created their shows’ unique look, and the gear they chose to pull it off.
This year, 19 cinematographers received Emmy nominations for their work in one of three categories: Outstanding Cinematography for a Single-Camera Series (Half-Hour), Single-Camera Series (One Hour), and Limited Series or Movie.
Find out how Solange changed Yance Ford’s approach to using social media, Flavio Alves raised over $100,000 on eBay, and Eliza Hittman laid meaningful roots through college campus screenings.
Plus: new films from Lowery, Kusama, Heller, Pawlikowski, Kore-eda, Reitman, McQueen, and many more.
Cinematographer Chayse Irvin’s free-form approach to images is unconventional, but it was a perfect fit for Lee’s timely film.
Production designer Ruth De Jong explains there is no set style or color palette to “Twin Peaks,” but rather an innate expression of Lynch through color, texture, and space.
Check out 30 examples showing how production designer Ruth De Jong and David Lynch created the unique world of “Twin Peaks: The Return.”
The children’s camera was put to use by Richard Linklater, Michael Almereyda and Sadie Benning – and now, a new series is bringing them back.
Refn spoke to IndieWire about how his new free streaming service and Amazon series “Too Old To Die Young” both reflect his desire to embrace a new way of storytelling.
IndieWire celebrates the work of Rachel Morrison, Ellen Kuras, and nine other cinematography greats with the help of some of their greatest collaborators and admirers.
