Roger Deakins on Why Cinematography and Visual Effects Should Not Be Separate Crafts
The 14-time Oscar nominee breaks down his latest film, “The Goldfinch,” and explains why “Blade Runner 2049” was so satisfying to him.
Chris O'Falt
The 12 Best Movies of the 2019 Toronto International Film Festival
This year’s TIFF had a lot of exciting fall movies, but the highlights of the festival were more than just the buzziest titles.
Mica Levi’s Monumental ‘Monos’ Score Started With Blowing Into a Glass Bottle
In only her third feature film score, the “Jackie” composer ignited an otherworldly story set high in the Colombian mountains.
Destin Daniel Cretton Wants to Kill Stereotypes with ‘Just Mercy’ and Marvel’s ‘Shang-Chi’
The director weighs in on telling Bryan Stevenson’s story, the Marvel film school, and being called ‘Bruce Lee’ when he moved to California.
Why the Best Cinematographers Are Struggling to Find Films to Shoot
Roger Deakins and Rachel Morrison on how the world of franchise movies and low-budget indies make it a hard time to be a cinematographer.
‘Escape at Dannemora’: Inside Ben Stiller’s Obsessive Quest for Authenticity
Filmmaker Toolkit Podcast, Ep. 89: For the director and his production team, the characters and the real prison environment were inseparable.
‘When They See Us’: Finding the Music and Sounds that Brought a Tear to Ava DuVernay’s Eye
Watch how composer Kris Bowers and the re-recording mixers struck the right emotional chord with Korey Wise’s Coney Island fantasy while imprisoned.
8 Ways the ‘Deadliest Catch’ Camera Crew Survives the Hardest Job In TV and Still Gets a Great Image
Inside the gear, skill, and physical endurance needed for 30-foot swells, 20 hour days, and shooting at night.
How Anthony Bourdain Found His On-Screen Voice and Changed Television
Lydia Tenaglia and Chris Collins talk about their 19 year collaboration with Bourdain and how their show evolved into CNN’s “Parts Unknown.”
Emmy Nominated Cinematography: The Cameras, Lenses, and Looks of the Year’s Best TV Shows
From “Game of Thrones” to “Fleabag,” 16 cinematographers discuss the gear they chose to create the look of the 2019 Emmy contenders.
15 Female-Directed Films to See This Season, From ‘Hustlers’ to ‘Queen & Slim’
From first-time filmmakers to bonafide superstars, personal stories to crazy experiences, this season has something for everyone, and all from women.
Here’s What It Sounds Like When a 75-Ton Glacier Crumbles on ‘Our Planet’
For the Netflix series, re-recording mixer Graham Wild gave emotion to the sound of a skyscraper-sized chunk of ice sliding into the ocean.
Newswire
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Comcast Drops $5 Fee for Xfinity Flex Video-Streaming Set-Top for Broadband Customers
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How the Cannabis Industry Can Do Better to Fight the Climate Crisis
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Focus Pre-Buys Key Int’l Territories On Sally Potter Drama ‘Molly’ Starring Javier Bardem & Elle Fanning; HanWay Closes Most Of World
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The Next Bachelor Is 'Pilot Pete' Weber
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What time is the ‘AGT’ finals results show? Who will win season 14 of ‘America’s Got Talent’?
