Nothing About Shooting ‘Top Gun: Maverick’ Was Simple
Cinematographer Claudio Miranda on finding a balance between the weather, speed, military, and a star who insisted on doing it for real.
Daniel Eagan
‘Over a Hundred Pinks’: ‘Barbie’ Production Designer Sarah Greenwood Previews the Greta Gerwig Comedy
“Pink became the film’s thesis” Greenwood and her longtime collaborator Katie Spencer told IndieWire.
Cinematographer Autumn Durald Arkapaw Is Bringing a Visual Subtlety to the Marvel Cinematic Universe
In “Wakanda Forever,” the DP shifts the look of the usually bright-and-cheery MCU. “Light shouldn’t fall everywhere. A character should come in and out of light, like real life.”
Multiple Gazes, Single Vision: Behind the Cinematography of ‘Irma Vep’
Yorick Le Saux and Denis Lenoir tell IndieWire about teaming up with Olivier Assayas to reimagine his twisty satire of the filmmaking process.
‘We’re Going to Fly in This Movie’: ‘Elvis’ Cinematographer Mandy Walker on Shooting the King
Walker tells IndieWire about making the Baz Luhrmann biopic — and whether or not she can say anything about “Snow White” yet.
Cinematographer Christopher Doyle: ‘I’m Not James Cameron! I’m Not David Fincher!’
“This is what has to be the art of filmmaking,” the cinematographer of “In the Mood for Love” tells IndieWire. “It is to articulate an idea, and to remove oneself enough that you see what the idea is really about.”
‘The Conversation’: Walter Murch Invented a Paranoid Soundscape for Coppola’s Masterpiece
“The Godfather” of modern sound design Walter Murch looks back at the first film he edited for Coppola and his groundbreaking sound work.
Newswire
-
Courtenay Valenti in Talks With Amazon for Top Film Position at MGM
-
Trump Attacks Transgender Rights, Takes Aim at ‘Left-Wing Gender Insanity’
-
Salma Hayek Says She Was “Nearly Killed” By Channing Tatum Filming ‘Magic Mike’ Lap Dance Scene
-
Dr. Phil to End After 21 Seasons
-
Varsity Settles Single Cheerleading Gym Suit in Antitrust Triad