Nothing About Shooting ‘Top Gun: Maverick’ Was Simple
Cinematographer Claudio Miranda on finding a balance between the weather, speed, military, and a star who insisted on doing it for real.
Cinematographer Claudio Miranda on finding a balance between the weather, speed, military, and a star who insisted on doing it for real.
“Pink became the film’s thesis” Greenwood and her longtime collaborator Katie Spencer told IndieWire.
In “Wakanda Forever,” the DP shifts the look of the usually bright-and-cheery MCU. “Light shouldn’t fall everywhere. A character should come in and out of light, like real life.”
Yorick Le Saux and Denis Lenoir tell IndieWire about teaming up with Olivier Assayas to reimagine his twisty satire of the filmmaking process.
Walker tells IndieWire about making the Baz Luhrmann biopic — and whether or not she can say anything about “Snow White” yet.
“This is what has to be the art of filmmaking,” the cinematographer of “In the Mood for Love” tells IndieWire. “It is to articulate an idea, and to remove oneself enough that you see what the idea is really about.”
“The Godfather” of modern sound design Walter Murch looks back at the first film he edited for Coppola and his groundbreaking sound work.