Eric Kohn

Eric Kohn is the New York–based Executive Editor & Chief Critic at IndieWire, where he has worked since 2007. In addition to overseeing operations for IndieWire’s New York film team, he reviews numerous films throughout the year, oversees festival strategy, and reports on the industry. Kohn travels to film festivals around the globe, interviews filmmakers. and managed IndieWire’s network for professional film critics, the Criticwire Network. Prior to joining IndieWire, Eric contributed to the New York Times and other outlets.

Film / By Eric Kohn

‘Lamb’ Review: Noomi Rapace Stars in A24 Horror with a Concept So Ridiculous It Shouldn’t Be Spoiled

Cannes: Valdimar Jóhannsson’s first feature is derivative in parts but impressive once its big twist comes together.

Jul 13, 2021 9:46 am /

Film / By Eric Kohn

‘The French Dispatch’ Review: Wes Anderson Doubles Down on His Style in Endearing Journalism Salute

The filmmaker’s freewheeling triptych of stories makes the case for his appeal by amplifying it.

Jul 12, 2021 1:23 pm /

Film / By Eric Kohn

Director Todd Haynes poses for a portrait on Monday, Nov. 16, 2015, in New York. (Photo by Amy Sussman/Invision/AP)

Todd Haynes Got Stuck in LA During the Pandemic and The Velvet Underground Kept Him Sane

The filmmaker found himself stuck with his editor and doubled down on their work. It eventually became a lifeline.

Jul 11, 2021 12:30 pm /

Film / By Eric Kohn

Oscar Micheaux Finally Premieres at Cannes, 70 Years After His Death

A new documentary puts the pioneering Black director’s career in context alongside a restoration of his work.

Jul 11, 2021 10:25 am /

Film / By Eric Kohn

‘Flag Day’ Review: Sean and Dylan Penn Make a Touching Pair in Father-Daughter Criminal Drama

Cannes: Penn’s first directing effort since “The Last Face” brings him back to “Into the Wild” turf.

Jul 10, 2021 6:00 pm /

Film / By Eric Kohn

Director Leos Carax arrives for the screening of The Great Beauty at the 66th international film festival, in Cannes, southern France, Tuesday, May 21, 2013. (AP Photo/Francois Mori)

Leos Carax Wanted Joaquin Phoenix for ‘Annette,’ Says Streaming Is ‘Hell’ for Filmmakers

Cannes: The filmmaker explained the process behind his movie’s memorable sex scene, and why he’s not crazy about streaming platforms despite Amazon’s support.

Jul 10, 2021 11:00 am /

Film / By Eric Kohn and Anne Thompson

Preparation of the 71st annual Cannes Film Festival, Palais des Festivals, La Croisette Cannes FRANCE - 06/05/2018 (Sipa via AP Images)

Velvet Underground and Andrea Arnold’s ‘Cow’ Among Early Highlights as Cannes 2021 Takes Off

While the market is on the quieter side this year, the first week of the festival has delivered several strong movies.

Jul 9, 2021 5:15 pm /

Film / By Eric Kohn

The Palme d'Or is displayed prior to the 74th international film festival, Cannes, southern France, July 5, 2021. The Cannes film festival runs from July 6 - July 17, 2021. (Photo by Vianney Le Caer/Invision/AP)

Cannes 2021 Contenders: Here’s a Look at the Likely Winners (FINAL PREDICTIONS)

Spike Lee’s jury could make a lot of unpredictable decisions, but here are some educated guesses about the way things could turn out.

Jul 9, 2021 9:30 am /

Film / By Eric Kohn

‘Cow’ Review: Andrea Arnold Generates Empathy for Animals Better Than Disney Ever Could

Cannes: The “American Honey” director delivers a stirring, often sad contemplation of a life reduced to resources.

Jul 8, 2021 12:22 pm /

Film / By Eric Kohn

‘Roadrunner’ Director Morgan Neville on the Mystery of Bourdain’s Suicide and Exploring Hours of His Show

The filmmaker explains to IndieWire how the mystery of Bourdain’s death became more central to the project than anyone expected.

Jul 7, 2021 10:00 am /

Film / By Eric Kohn

Cannes: Film Community Expresses Shock, Excitement as First Day of Festival Somehow Takes Off

As the festival kicked off during a most unusual year, filmmakers and industry insiders mulled on the future of the business.

Jul 7, 2021 8:38 am /

Film / By Eric Kohn

‘Annette’ Review: Adam Driver Is a Deranged Force of Nature in Carax’s Mind-Blowing Musical Fantasia

Cannes: The Sparks-composed rock opera is an ideal fit with Carax’s enigmatic storytelling, which will take your breath away.

Jul 6, 2021 4:45 pm /

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Eric Kohn

‘Lamb’ Review: Noomi Rapace Stars in A24 Horror with a Concept So Ridiculous It Shouldn’t Be Spoiled

‘The French Dispatch’ Review: Wes Anderson Doubles Down on His Style in Endearing Journalism Salute

Todd Haynes Got Stuck in LA During the Pandemic and The Velvet Underground Kept Him Sane

Oscar Micheaux Finally Premieres at Cannes, 70 Years After His Death

‘Flag Day’ Review: Sean and Dylan Penn Make a Touching Pair in Father-Daughter Criminal Drama

Leos Carax Wanted Joaquin Phoenix for ‘Annette,’ Says Streaming Is ‘Hell’ for Filmmakers

Velvet Underground and Andrea Arnold’s ‘Cow’ Among Early Highlights as Cannes 2021 Takes Off

Cannes 2021 Contenders: Here’s a Look at the Likely Winners (FINAL PREDICTIONS)

‘Cow’ Review: Andrea Arnold Generates Empathy for Animals Better Than Disney Ever Could

‘Roadrunner’ Director Morgan Neville on the Mystery of Bourdain’s Suicide and Exploring Hours of His Show

Cannes: Film Community Expresses Shock, Excitement as First Day of Festival Somehow Takes Off

‘Annette’ Review: Adam Driver Is a Deranged Force of Nature in Carax’s Mind-Blowing Musical Fantasia

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Performer of the Week: Crystal R. Fox

Maria Taylor Joins NBC Sports After ESPN Exit, Makes Early Olympics Appearance