The Oscar-nominated filmmaker talks about his longtime relationship to Baldwin’s writings and how he translated them into one of the year’s most acclaimed films.
Jones’ casting in the new reboot is valuable, but the film itself doesn’t capitalize enough on her presence or performance.
Restorations of “Daughters of the Dust,” “Black Girl” and “Valley of Peace” provide fresh context to black film history at a crucial moment.
Beyoncé’s ‘Lemonade’ is a Celebration of Black Identity (Analysis)
Why We Need More Black Romance Movies
White Female Gaze: How This Year’s Sundance Confronted Racial Tensions in America (and Beyond)
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