The long-awaited first (and last?) cinematic entry into the canon of “Sopranos stories” wasn’t a box office hit, but its impact shouldn’t be measured by outdated designations.
Two films into the wacky world of “Venom,” it looks as if things are poised to change in a major, multi-faceted way.
A familiar voice is on hand to guide viewers through Alan Taylor’s “Sopranos” prequel film, but there’s far more to the casting than just narrative ease.
Fans of the first film will love Andy Serkis’ disarmingly faithful followup, but it’s hard to shake the sense this wacky spinoff hasn’t yet hit its stride.
Action outings still rule both the blockbuster world (“Shang-Chi,” “Free Guy”) and the specialty sector, as Joe Carnahan’s latest is the rare new entry in our top-20 listings.
After launching an ambitious hybrid festival for its 2021 edition, the January fest is preparing for a slightly more traditional event in 2022.
In the coming days, Van Peebles’ work will be the subject of a NYFF anniversary screening, a Criterion Collection boxset, and more.
TIFF: Nathalie Biancheri’s fascinating sophomore effort hinges on the fully committed performances of her two talented stars.
Exclusive: In their first interview, MacKay and filmmaker Nathalie Biancheri unpack the actor’s intense transformation into a wolf (sort of).
TIFF: Alison Klayman’s look at the Canadian superstar’s breakthrough album is well-made, surprisingly basic, and destined to make headlines.
The actress’ copious makeup isn’t the only thing doing the heavy lifting in Michael Showalter’s uneven look at the weird world of Jim and Tammy Faye Bakker.
TIFF: McCarthy brings real emotion to Theodore Melfi’s often cloying dramedy about angry birds and heartbroken humans.
