‘Tenet’ Review: Christopher Nolan’s Long-Anticipated Time Caper Is a Humorless Disappointment
“Tenet” is big and ambitious, but Nolan is more caught up in his own machinations than ever before.
Mike McCahill
‘The Gentlemen’ Review: Guy Ritchie’s Return to Criminal Form Is a Crass, Flat Enterprise
Two decades and several million dollars into Ritchie’s career, his latest feels like a heavily cynical, a crass attempt to appease his “Aladdin” detractors.
‘They Shall Not Grow Old’ Review: Peter Jackson’s Colorized WWI Documentary Resurrects the Drama of the Battlefield
The filmmaker’s extensive restoration project doesn’t always provide new insights, but it succeeds at creating a fresh look at the horrors of WWI.
‘Mary Magdalene’ Review: Joaquin Phoenix and Rooney Mara Drama Is the Definition of a Mixed Blessing
“Lion” director Garth Davis tries his hardest, but can’t find a fresh angle for this holiest of dramas.
‘The Snowman’ Review: Michael Fassbender’s Detective Can’t Solve This Scandinavian Adaptation’s Laughable Missteps
Tomas Alfredson’s latest dreary thriller is no “Girl With a Dragon Tattoo.”
‘American Made’ Review: Tom Cruise Finally Lands a Role Worthy of His Talents
Doug Liman’s drama about real-life CIA operative and drug smuggler Barry Seal isn’t perfect, but it gives Cruise one of his best roles in a long time.
‘Ghost in the Shell’ Review: Scarlett Johansson Stars in a Dazzling Reboot That Lacks Character
Paramount’s all-new live-action reboot emerges as a dazzling logistical display with a missing file where the human interest might once have been stored.
Newswire
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‘Weekend Update’ April Fool’s Prank: ‘SNL’ Audience Member Yells ‘You Stink!’ at Colin Jost
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‘SNL’: Quinta Brunson Calls Out ‘Friends’ for Lack of Black People
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‘Gone With The Wind’ To Get Trigger Warning For “Hurtful Or Harmful” Aspects Of 19th-Century Slavery
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SNL Video: Trump Fundraises for Legal Defense With 'Trump Bopz' Album
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Caitlin Clark Draws Record Views as Women’s Final Takes Network Stage