‘Sun Children’ Review: Majid Majidi’s Latest Is a Dickensian Crowdpleaser
Venice: The Iranian “Children of Heaven” director covers a lot of ground in his new and often thrilling portrait of youth.
Venice: The Iranian “Children of Heaven” director covers a lot of ground in his new and often thrilling portrait of youth.
Ferrara and Dafoe shooting the breeze is so entertaining, you might wish the auteur would concentrate on an Abe and Will podcast instead.
“Mandibles” is the French absurdist’s most accessible film to date, but still has his own personal brand of deadpan oddness.
Garfield and Maya Hawke can’t save Coppola’s vapid send-up of social-media culture set in a sleazy Los Angeles.
Broadbent plays a bumptious oddball who endeavors to steal a Goya painting in the name of injustice in Roger Michell’s warmhearted comedy.
The director’s longtime production designer Antxón Gómez delivers the ultimate self-isolating space for Swinton’s one-woman show.
The first major film festival to still carry on in the age of COVID is here.
Daniele Luchetti’s drama is the first opening night entry at a major film festival since the pandemic started, but that alone can’t rescue its weak story.