Why Television Has Latched Onto The Role of the Vice President, From ‘House of Cards’ to ‘Scandal’ and ‘Veep’
Why Television Has Latched Onto The Role of the Vice President, From ‘House of Cards’ to ‘Scandal’ and ‘Veep’
Why Television Has Latched Onto The Role of the Vice President, From ‘House of Cards’ to ‘Scandal’ and ‘Veep’
Why Greek Cinema Is Invading Ireland
The Russian LGBT Rights Documentary Everybody Should Watch
Why 2013 Was a Banner Year For Documentaries, And 2014 Looks Even Better
How the Arab Spring Changed the Arab Screen and Why You Need to Start Paying Attention
Palestinian Actress/Filmmaker Hiam Abbass Talks Politics and Integrity at Abu Dhabi Film Festival
Review: Why Is Tobe Hooper’s ‘Djinn,’ the First UAE-Produced Horror Film, Such A Terrible Movie?
Why You Need to Start Paying Attention to Irish Cinema
Why ‘It’s Like a 13-Hour Movie’ Fails to Do Justice to Great TV
Blurred Lines: Claire Simon’s ‘Gare du Nord’ and ‘Human Geography’ Challenge the Boundaries Between Fiction and Doc
Corneliu’s Comic Catharsis: ‘When Evening Falls on Bucharest’ Looks Back With Laughter