’80s aerobics gear, Iranian sportswear, clothes of authority and heritage: Costume designer Laura Montgomery breaks down how each character’s changes impacted their wardrobe.
VFX Supervisor David Van Dyke and cinematographers Mike Berlucci and Cynthia Pusheck discuss how a blend of LED volume and green screens helped them realize the show’s visual ambitions.
Co-creator Jen Statsky and production designer Alec Contestabile tell IndieWire about how they transformed Travis Barker’s tour bus into Deborah’s home away from home.
On the latest episode of the Filmmaker Toolkit podcast, “Reservation Dogs” creator discusses how everything about the show, from its humor to its visual look, is rooted in a sense of place.
Watch casting director Cami Patton describe how, in order to find the right actors for a series about roommates who are on the autism spectrum, all she had to do was ask.
Cinematographer Greg Middleton discusses the complex camerawork behind Marc and Steven’s trip through the Egyptian afterlife.
The “After Yang” director discusses the film’s meditative approach to time, memory, and humanity.
Music supervisor Brienne Rose and composer Joe Wong discuss adjusting the series’ musical makeup for Nadia’s new challenges in Season 2.
Costume Designer Tom Rogers tells IndieWire about what he took from the Regency era and what he left on the cutting room floor.
The “Pachinko” showrunner discusses the show’s visual style, thematic and tonal identity, and finding epic stories in our everyday lives.
Cinematographer Jessica Lee Gagné and production designer Jeremy Hindle break down how Milchick got down.
Filmmaker Toolkit: Greig Fraser discusses the epic scope and yet simple compositions that makes “Dune” feel like another world.
