‘I Am Not Okay With This’ Review: A Sharp Spin on the Typical Superpower Origin Story
Sophia Lillis anchors this Netflix series, one that wisely steers away from its sci-fi DNA to find the relatable human elements underneath.
Steve Greene
Every IndieWire TV Review from 2020, Ranked by Grade From Best to Worst
Yes, yes, Peak TV. It’s troubling, we know. There, there, sssshh. Let us offer some assistance in determining what to watch so far in 2020.
‘Better Call Saul’ Review: ‘50% Off’ Continues the Season 5 Seesaw of Doomed Fates
The ways the show is forecasting imminent changes flips its standard storytelling methods.
‘Better Call Saul’ Review: Season 5 Kickoff ‘Magic Man’ Already Feels Like the Beginning of the End
Even in the face of Jimmy’s impending transformation, the Season 5 premiere resets a chessboard full of characters whose futures are dark and unknown.
‘High Fidelity’: Here’s Who Else Would Get Their Own Episode in Season 2
Plus, more on the first 10 episodes’ surprise cameos, subverted love triangles, and unexpected perspective shifts.
‘Babies’ Review: Clinical Netflix Doc Series About Toddlers Puts Academics Over Experiences
This six-part journey through the early lives of tiny humans overestimates the rousing nature of peer-reviewed studies.
‘Year of the Rabbit’ Review: Matt Berry Was Born to Star in IFC’s Victorian Riff on ‘Brooklyn Nine-Nine’
Berry, Freddie Fox, and Susan Wokoma make for a fantastic central trio, as the raunchy detective comedy makes a stop in 1880s London.
‘High Fidelity’ Soundtrack: The Story Behind Songs from Season 1 of the Hulu TV Show
A team of music supervisors (including Questlove) worked to find songs from every continent to soundtrack the show’s romantic travails.
‘Dare Me’: The Season’s Big Reveal Underlines How This Drama Is More Than a Typical Crime Story
A shocking development is made all the more powerful knowing this USA series is invested in the characters who it will impact the most.
‘Locke & Key’ Shows the Problem with Trying to Make a Hit TV Show from an Algorithm
Even the season’s closing minutes underline the way this adaptation is optimized for easy watching and feeds on people’s interests in other shows.
‘High Fidelity’ Review: Zoë Kravitz Anchors a TV Adaptation That Follows Its Own Groove
Da’Vine Joy Randolph is another standout element of this 10-episode Hulu season that takes the best of the 2000 film and uses it for its own purposes.
‘Briarpatch’: A First-Time Showrunner’s Top Tips on Easing the Rookie Learning Curve
Former TV critic Andy Greenwald shares what he’s learned from being at the head of a full season of the USA Network drama.
Newswire
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Tierra Whack Talks Fashion, ‘What Whack Wears,’ and Her Next Album
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Roddy Ricch (Finally) Drops a Video for ‘The Box’
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Networks Ramp Up Coronavirus Coverage As White House Accuses Media Of Fearmongering
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Y: The Last Man Recast Update: FX Finds Barry Keoghan's Replacement
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Natalie Anderson is a stealth ‘Survivor’ ninja who is conquering the Edge of Extinction [POLL]
