Co-writer/director Joe Carnahan’s script neutralizes his macho headliners, allowing the talented, rising actress to shine as a lean, mean one-woman disruptor.
TIFF: In 1973, four young Black men tried to steal guns and ammunition and became the origin story of modern hostage negotiation.
TIFF: Director Stanley Nelson tells IndieWire how the nation’s “bloodiest one-day encounter” shaped the present-day state of criminal justice.
September’s offerings include teen movie classic “House Party,” two very different South African films, Netflix’s first Nigerian original movie, and more.
From underseen Laird Cregar vehicles to a Russian chiller based on a Nikolai Gogol story, from J-Horror to the Mexican gem “Alucarda,” these are the best horror movies the genre has to offer.
Telluride: Race looms large throughout Rex Miller and Sam Pollard’s fascinating, candid portrait of the trailblazing tennis pro.
Steven Knight’s curious, daring experiment returns with a deadly sibling rivalry and violence to spare.
The studio emphasized Jordan Peele, but failed to note that it’s the first film directed by a Black woman to reach #1 at the box office.
Season 2 of Octavia Spencer’s Apple TV+ drama is an overstuffed dud.
The announcements were made today during the media company’s Television Critics Association (TCA) summer presentaion.
This month’s list spans four decades, and features early work from Sidney Poitier, John Boyega, and Dominique Fishback.
The Philadelphia event has become an annual celebration of cinema arts not only of Africa and its diaspora, but also of global communities of color.
