The Creepy Emmy Contenders of ‘Stranger Things,’ ‘Legion,’ and ‘Westworld’
Among those under consideration are the VFX behind exploding kitchens, faceless boogeymen, and that Salvador Dali-like spider.
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How ‘Stranger Things’ Created That Awesomely Retro Title Sequence
In the age of binge watching, this deceptively simple opening title sequence plays a vital storytelling role.
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How TV Critics Began To Have a Bigger Impact on the Emmy Race — Screen Talk Emmy Podcast
Also, a look at the programs Emmy voters should catch up on, and dissecting the Outstanding Comedy Series odds.
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‘The Handmaid’s Tale’: Finding Lenses (and Cameras) to Create the Unfamiliar World of Gilead
Director Reed Morano and Cinematographer Colin Watkinson on creating the unique look of the hit Hulu show.
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‘Portlandia’: Carrie Brownstein on Directing, Men’s Rights and Her 5 Favorite Sketches of Season 7
From taking on the cause of Men’s Rights to embracing an accidental crossover with “Black Mirror,” the actor/director/creator reveals her favorite moments of the last season.
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‘The Leftovers’: The Best Shots of the Final Season, Chosen by Director Mimi Leder
Mimi Leder breaks down the best shots of Season 3, including when she nearly killed Justin Theroux (for real).
‘The Leftovers’: The Best Shots of the Final Season, Chosen by Director Mimi Leder
Mimi Leder breaks down the best shots of Season 3, including when she nearly killed Justin Theroux (for real).
‘Portlandia’: Carrie Brownstein on Directing, Men’s Rights and Her 5 Favorite Sketches of Season 7
From taking on the cause of Men’s Rights to embracing an accidental crossover with “Black Mirror,” the actor/director/creator reveals her favorite moments of the last season.
‘The Handmaid’s Tale’: Finding Lenses (and Cameras) to Create the Unfamiliar World of Gilead
Director Reed Morano and Cinematographer Colin Watkinson on creating the unique look of the hit Hulu show.
How TV Critics Began To Have a Bigger Impact on the Emmy Race — Screen Talk Emmy Podcast
Also, a look at the programs Emmy voters should catch up on, and dissecting the Outstanding Comedy Series odds.
How ‘Stranger Things’ Created That Awesomely Retro Title Sequence
In the age of binge watching, this deceptively simple opening title sequence plays a vital storytelling role.
‘Kingdom’ and ‘American Gods’ Star Jonathan Tucker Bled for His Art, and That’s Just the Beginning
Below is a good story about Jonathan Tucker, an actor you’ll want to watch — and work with — after hearing what he has to say about TV.
How Screaming Beatlemania Comes Alive in Ron Howard’s ‘Eight Days a Week — The Touring Years’
The sound editing philosophy for Ron Howard’s Hulu Beatles Emmy contender was to keep it authentically retro.
R. Kelly Refused to Let ‘Dear White People’ Make An ‘I Believe I Can Fly’ Joke, and Other Secrets of Music Supervision for TV
Music supervisors have finally been given their own Emmy category, and here’s why recognizing their work is overdue.
Netflix’s Next Big Move? Hacking the Oscars
Netflix hires awards veteran Julie Fontaine to run PR — and Oscar campaigns. Content chief Ted Sarandos explains why he believes Netflix can win.
‘A Series of Unfortunate Events’: Designing Neil Patrick Harris’ Tour-de-Force Transformation Into Count Olaf
Director Barry Sonnenfeld encouraged a vaudevillian vibe to the sets and makeup for this dark and grim Netflix series.
‘The Young Pope’: How Jude Law Went Weird with Paolo Sorrentino for His Best Work In Years
Law makes the best of a range of movies, but found real character riches in an Emmy contending role on premium cable.
