The craft team behind the HBO Max comedy explains how they made the set of "Emily Overruled" such a unpleasant(ville) place for Cary.
Louis Leterrier tells IndieWire what it was like stepping into the director's chair of one of the world's biggest franchises days into production.
Bill Hader and stunt coordinator Wade Allen told IndieWire how they pulled off Season 4's most audacious set piece.
Director Niki Caro told IndieWire about what went into the crafting of Jennifer Lopez's many, many action sequences in the Netflix film
She Dreamed a Dream
Misty doesn't need actual revelations to have an awakening — she just needs John Cameron Mitchell.
Production designer Beth Mickle tells IndieWire how the Bowie's design is a tribute to Rocket, built as a series of interconnected sets.
Costume designer Charlese Antoinette Jones told IndieWire about making the team at Nike look like a basketball GOAT's third choice.
Costume designer Audrey Fisher told IndieWire about telling the story of Candy Montgomery through her vintage clothes.
Music supervisor Jonathan Leahy busted out the CD binders to bring to life the era of Don Hill's and LCD Soundsystem for Apple TV+'s new series.
Director Ari Aster and cinematographer Pawel Pogorzelski spoke to IndieWire about the filmmakers who informed their audacious and thrilling new film.
Too Pink to Be Pure
Choreographer Jamal Sims ("Girls Trip") told IndieWire about paying homage to "Grease" while creating something modern and exhilarating on the Paramount+ prequel series.
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