In an extensive conversation about the state of the film business, the “Parasite” distributor explained his company’s strategy for survival in difficult times.
Cousins Jessie and Jessica Barr team up for a story they know all too well themselves: what it’s like to lose a parent when you’re just a teenager.
Tentatively titled “Limbo,” Iñárritu’s new film will explore the “political and social modernity of Mexico.”
Want a 24-hour movie marathon of all Best Picture Oscar nominees this year? Chances are you can do it at home.
Daniels calls his Wolverine pitch meeting “the worst meeting of my life.”
Berlin: Hamaguchi Ryūsuke follows “Asako I & II” with a triptych of thematically related but wildly unpredictable shorts about coincidence.
Toolkit Podcast: Riz Ahmed and Darius Marder on putting mics inside the star’s body, the emotion of hearing with our own, and the need for a “Playground of Reality” on set.
Fans of the original will find much to enjoy in this stuffed follow-up, but none of the gags hold as much appeal as watching Murphy back in action.
This is the first time Letterboxd will offer new films that have not streamed on any other platforms directly to its members.
Slight and discursive even by Hong Sang-soo standards, “Introduction” will be less rewarding for newcomers than for longtime fans.
IndieFlix’s growth makes it an increasingly attractive destination for independent filmmakers’ projects, which have been increasingly shut out of major platforms.
Exclusive: The “Songs from the Second Floor” director’s latest opens in theaters and on VOD stateside in April.
