‘The Blue Caftan’ Review: ‘Phantom Thread’ Meets ‘Before Midnight’ in Stunning Three-Hander
Cannes: Maryam Touzani’s story about a closeted maalem and his handsome apprentice is actually a defense of the institution of marriage.
Cannes: Maryam Touzani’s story about a closeted maalem and his handsome apprentice is actually a defense of the institution of marriage.
Cannes: Two African-born teens try to build a life together on the streets of Belgium in this scalding indictment of societal indifference.
France is invested in keeping cinema alive. What would it take for the U.S. to follow suit?
A review of his 40-year career suggests deliberate, smart decisions impossible for today’s stars have been key to sustaining him until now.
From “Love” to “The Brown Bunny” and Abdellatif Kechiche’s controversy-marred “Mektoub,” Cannes has been riled up by many an unsimulated sex scene.
On the latest episode of the Filmmaker Toolkit podcast, Jackson and editor Jabez Olssen discuss using machine learning to isolate previously inaudible “Get Back” tapes.
Penn’s film about a doctor who falls in love with an aid worker, played by Charlize Theron, in war-torn Africa was ripped to shreds at Cannes in 2016.
Vincent Lindon’s filmmaker-heavy jury could go a lot of different directions, but these educated guesses are a good place to start.
The big story box office story this week? The bombastic “Top Gun: Maverick,” an already critically beloved sequel nearly forty years in the making.
Cannes: The actress discusses her director-first approach and how it has led her to some strange contrasts, including her two new projects.
How I Shot That: The world’s best cinematographers tell IndieWire how they created the look of their highly anticipated features at Cannes.
As the “Star Wars” universe continues to expand with a wide assortment of TV content, fans are left to wonder: What about the movies?