‘The Souvenir’ Is the Top Specialized Opener As Business Remains Soft
While “The Biggest Little Farm” is strong in its second week, the industry is not seeing the long-term successes that it needs to thrive.
Film
‘Portrait of a Lady on Fire’ Review: Céline Sciamma Unveils a Painterly Masterpiece — Cannes
Noémie Merlant and Adèle Haenel star as a painter and her subject in Céline Sciamma’s devastatingly unforgettable story of love and memory.
‘A Hidden Life’ First Reactions: A Return to Form for Terrence Malick
The World War II drama has been anticipated as the most narrative-focused film by Terrence Malick since “The New World.” Does it work?
‘A Hidden Life’ Review: Terrence Malick’s Best Movie Since ‘The Tree of Life’ — Cannes
After seven long years of wandering in the desert, Terrence Malick returns with a shatteringly powerful story of faith in crisis.
12 Movies That Survived Serious Injuries and Accidents Befalling Talent
Daniel Craig’s ankle injury shut down production on “Bond 25,” but it could have been worse — a lot worse.
Gaspar Noe’s Psychedelic Mockumentary ‘Lux Æterna’ Might Give You Seizures — Cannes Review
The “Climax” director takes an Yves Saint Laurent assignment and transforms it into a disorienting riff on the filmmaking process.
‘The Lighthouse’ Review: Robert Pattinson and Willem Dafoe Are Nautical Madmen in Gripping Psychodrama
Cannes: Robert Eggers follows up “The Witch” with the best movie about bad roommates ever made.
‘The Lighthouse’: ‘The Witch’ Director Gives Robert Pattinson His Best Role Yet? These Critics Think So
Several critics suggested Robert Eggers’ new horror film is the best movie to debut at Cannes so far.
‘Zombi Child’ Review: Bertrand Bonello Proves that the Past Is Undead — Cannes
There’ve been a lot of movies about Voodoo culture and its colonialist history, but only Bertrand Bonello’s includes a speech about Rihanna.
‘The Whistlers’ Review: A Delightful Romanian Twist on ‘Ocean’s 11’ — Cannes
Corneliu Porumboiu’s enjoyable riff on the heist movie tradition has a unique hook, and is begging for an English language remake.
‘The Best Years of a Life’ Review: A Corny Sequel to ‘A Man and a Woman’ — Cannes
Jean-Louis Trintignant and Anouk Aimée reprise their roles in a touching nod to the Oscar-winning love story, but nostalgia overtakes their chemistry.
Newswire
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Midi Z on Cannes Title ‘Nina Wu’: ‘I’m Aiming for a New Cinematic Language’
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Kurt Cobain’s Sweater From Final Photoshoot Sells for $75,000 at Auction
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Fox News Host Jeanine Pirro Calls Conspiracy Against Trump “True Reality TV”
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SNL Has Officially Run Out of Ideas For Alec Baldwin's Donald Trump
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The Head-to-Head Battle will rear its ugly, uh, head on the next ‘Amazing Race’
