Liam Neeson Is the Pandemic-Era Movie Star With ‘The Marksman’ as Another #1
Theaters are grateful for any new title. But there is zero evidence that, even where open, audiences are on the rise.
Theaters are grateful for any new title. But there is zero evidence that, even where open, audiences are on the rise.
The upcoming Shakespeare adaptation starring Denzel Washington and Frances McDormand was D.P.’d by five-time Oscar nominee Bruno Delbonnel.
This unprecedented Oscar season demands innovation, and Disney’s specialized division designed a plan that might to the trick.
Staying home? Good. Looking for something new to watch? Even better!
Nolan has no clue what his next project will be, but he “definitely” wants to come back to India at some point in the future.
Netflix’s low-rent, high-concept movie of the week stars Anthony Mackie as an android super-soldier who’s more human than his new partner.
The Oscar-winning director of “Citizenfour” explained why she believes The Intercept lacks accountability, and why she decided to speak out now.
What will the ceremony look like? Do latecomers benefit from the expanded qualification window? This week’s Screen Talk takes on all that and more.
Influencers: Behind the best edited film of the year is the story of how two artists with different sensibilities elevated each other’s work.
Anderson called “Fight Club” an “unbearable” movie and went so far as to wish cancer on Fincher.
Exclusive: Hulu and IF/Then are now accepting applications from documentary short filmmaking teams for the new program.
A land-dwelling family’s harmony is disrupted by encroaching civilization in a documentary heavy on naturalism and light on personality.