‘Wheel of Fortune and Fantasy’ Review: Hamaguchi Ryūsuke Spins a Delightful Trio of Short Stories
Berlin: Hamaguchi Ryūsuke follows “Asako I & II” with a triptych of thematically related but wildly unpredictable shorts about coincidence.
Berlin: Hamaguchi Ryūsuke follows “Asako I & II” with a triptych of thematically related but wildly unpredictable shorts about coincidence.
Toolkit Podcast: Riz Ahmed and Darius Marder on putting mics inside the star’s body, the emotion of hearing with our own, and the need for a “Playground of Reality” on set.
Fans of the original will find much to enjoy in this stuffed follow-up, but none of the gags hold as much appeal as watching Murphy back in action.
This is the first time Letterboxd will offer new films that have not streamed on any other platforms directly to its members.
Slight and discursive even by Hong Sang-soo standards, “Introduction” will be less rewarding for newcomers than for longtime fans.
IndieFlix’s growth makes it an increasingly attractive destination for independent filmmakers’ projects, which have been increasingly shut out of major platforms.
Exclusive: The “Songs from the Second Floor” director’s latest opens in theaters and on VOD stateside in April.
Pugh stars as a 1950s housewife who discovers disturbing secrets about her husband’s company.
Tran admits her acting fire went out after playing Rose Tico in “Star Wars” and dealing with online fan harassment.
Berlin: An absorbing tale of grief and guilt, this compelling drama from Maryam Moghaddam and Behtash Sanaeeha has a slow-burn power.
Typically taking place in early July, the European film festival has been pushed back so it can run “in a form that will be maximally safe for guests and visitors.”
Eddie Huang’s coming-of-age sports drama uplifts the Asian American struggle while falling into the same othering it purports to despise.