‘The Banishing’ Review: England’s Most Haunted House Gets Flipped into a Flimsy Gothic Horror Rental
Sean Harris steals the show as occultist Harry Price, but Christopher Smith’s gothic horror film isn’t scary enough to subvert its clichés.
Sean Harris steals the show as occultist Harry Price, but Christopher Smith’s gothic horror film isn’t scary enough to subvert its clichés.
Darius Marder, Nicolas Becker, and Mikkel E.G. Nielsen broke down some of their work in an interview with IndieWire.
Argyris Papadimitropoulos’ free-wheeling Greece-set romance is a film from a bygone era, with Stan and co-star Denise Gough getting close with wild abandon.
Skarsgard spent over 30 percent of his time making “Dune” in the makeup trailer.
Charlize Theron and Helen Mirren return to class up the ninth installment in the franchise.
From “Reservoir Dogs” to “The Hateful Eight,” these 20 shots define the visionary eye of Quentin Tarantino.
Jordan is making his directorial debut with the third chapter in the boxing franchise.
The 18 Arclight and Pacific theaters represented about 200 screens — as well as countless premieres, chance encounters, and the belief that they were too important to fail.
“American Insurrection” offers a clear-eyed and gripping deconstruction of how in recent years the nation’s racists have been emboldened.
Matthew Lewis never had the courage to talk to Rickman on set until the final day of shooting.
Review: Adapted from the popular manga “Gunjō,” Netflix’s “Ride or Die” is a freewheeling story of female friendship that follows its own rules.
TCM is partnering with filmmaker Joshua Grossberg on a documentary about his hunt for Orson Welles’ “holy grail of cinema.”