“If I had made a movie that wasn’t good and one that I wasn’t proud of and a lot of people saw it, I would be devastated,” Stewart said in a recent interview.
Roach wants audiences to leave their preconceptions at the door before experiencing his Roger Ailes takedown movie.
Paul Walter Hauser called the response to the depiction “really odd” and offered his own take on the scene under fire.
From Jennifer Lee to Lulu Wang, 19 women directors were among the top 100 films of 2019.
Screen Talk, episode 270: No matter who got snubbed by the Globes or SAG, there are other ways to celebrate the best movies of 2019.
Bob Clark’s 1974 original set the standard for the slasher film; four decades later, the “Always Shine” filmmaker tells IndieWire about giving it a timely tune-up.
These 12 female-directed horror movies bend the genre’s well-worn tropes to expand the very definition of what a “horror movie” is.
If J.J. Abrams wanted the main characters to be together in “The Last Jedi,” why did he split them up at the end of “Force Awakens”?
Aiello’s performance in Lee’s 1989 drama earned him Oscar and Golden Globe nominations for Best Supporting Actor.
Top casting directors break down why “Booksmart,” “Marriage Story,” “Uncut Gems,” and “Once Upon a Time…” are brilliantly cast films.
Olivia Wilde says her character had a preexisting relationship with an FBI agent and didn’t offer sex for news tips.
Sophia Takal’s glossy remake of the classic wears its feminism loudly, hacking into toxic masculinity with the subtlety of a bullhorn.
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