The festival’s new leader explains the challenges of curating this year’s lineup during the pandemic — and how they pulled it off with a wide range of films.
A 1950s housewife suspects that her neighbor is the Nazi who killed her sister in a movie that never solves the mystery of its own identity.
TIFF: A nearly two-and-a-half-hour running time threatens the emotional impact of Kawase’s latest, which nevertheless shimmers with beauty and melancholy.
Despite fun turns from Wallace Shawn and Gina Gershon, Allen’s latest trifle is a bizarre, muddled comedy.
The upcoming Wright-directed Focus Features release “Last Night in Soho” will mark Diana Rigg’s final movie role.
The disgraced producer was awarded with an honorary Commander of the British Empire title in 2004.
TIFF: A fascinating meta portrait of pianist Billy Tipton, a transgender man who died in 1989, as told by trans masculine actors and thinkers.
It was only with the help of director Denis Villeneuve and cinematographer Roger Deakins that the actor could get through the scene.
NYFF: The first entry of Steve McQueen’s “Small Axe” series to reach audiences is a galvanizing party movie with one helluva dance floor.
The star of Charlie Kaufman’s latest talks about landing the role in 12 hours and how carrying a platter of ham became a character choice.
Neil Patrick Harris adds that with “The Matrix 4,” Lana Wachowski’s style “has shifted visually” from what she’s done in the past.
“I’d rather have someone come with something weird that’s a choice than something that isn’t thought out,” says director Antonio Campos.
