Patty Duke’s Oscar nominated performance in 1962’s “The Miracle Worker” wasn’t the first movie about a disabled person I saw, but it was the most ubiquitous.
Daniel Kaluuya, Keke Palmer, and Steven Yeun star in Peele’s follow-up to “Us.”
With two more Netflix movies in the works and this new deal, Berry’s work is set to be a centerpiece for the streaming platform.
Lana Wachowski was “more interested in doing than rehearsing” during the filming of “The Matrix Resurrections.”
DiCaprio personally requested that his character have a “Network” moment.
The “Dune” team was scouting locations in the Wadi Rum desert when they discovered “Star Wars” was already filming there.
Bailey’s charge: Engage audiences more widely and more often while building a TIFF for the future.
Scott doesn’t understand how the Gucci family could be upset by Al Pacino’s casting.
Patrick Imbert’s high-altitude beauty combines the etherealness of “I Lost My Body” with the searching artistic spirit of Studio Ghibli.
Steven Spielberg’s musical has finally screened, and ecstatic first reactions are pouring in: “Everyone is at the top of their game.”
Oscar-winning costume designer Jacqueline Durran talks to IndieWire about working with Chanel, Kristen Stewart, and Pablo Larraín’s love for a pirate hat.
Two new VOD releases show that very different windows can still lead to similar successes.
