As Netflix breathes new life and episodes into the genre defining true-crime series, director Jean-Xavier de Lestrade talks about how his interest has dramatically shifted in documenting Peterson’s latest court room drama.
Exclusive: The new fund will “identify and nurture storytellers with fresh and compelling perspectives as they develop their work.”
The producers of the PBS series “POV” will offer grants for filmmakers facing health issues, eviction, disasters, and other unforeseen calamities.
The streaming app you can get with your library card adds “Bill & Ted’s Excellent Adventure,” “Sunset Boulevard,” “Harold and Maude,” “Saturday Night Fever,” and many more.
The American Film Institute and Fox Studios want to make sure cinematographer Rachel Morrison’s Oscar nomination becomes the norm, rather than a rarity.
Cinematographer Bradford Young’s low-light cinematography highlights how many theaters no longer meet decades-old industry standards.
Filmmaker Karl Jacob learned how to hunt when he was a child, which inspired his new movie.
In the latest episode of IndieWire’s Filmmaker Toolkit podcast, Schrader breaks down the narrative devices he uses to destabilize his audience.
Exclusive: Schrader wrote a new 35-page introduction to his 1971 “Transcendental Style in Film” and found a unique way to chart the progression of arthouse cinema.
Meet the 13 directors whose feature films were selected to follow in the path of Ryan Coogler and Paul Thomas Anderson.
Zhao said with her Bass Reeves biopic, she’ll direct a more traditional cast like she did with her first-timers: “You can work with an actor in a certain way, you can create an environment like Terrence Malick has always done.”
Indie veteran director Matthew Porterfield writes about how on his fourth feature “Sollers Point” he made a better film by remaining open.
