Boseman discusses his unique process for playing Jackie Robinson, James Brown and now Thurgood Marshall, and how these historical heroes informed his “Black Panther” superhero.
The legendary cameramen behind “Wonderstruck” and “Wonder Wheel” shared the stage for a New York Film Festival master class.
Roger Deakins does incredible things with color in “Blade Runner 2049,” but he’s part of a longstanding tradition.
Huppert spoke with IndieWire about how she collaborates with great directors and how her character in Serge Bozon’s “Mrs. Hyde” is neither weak, nor a monster.
The “Tangerine” director opens up about his struggle transitioning his run-and-gun style to a $2 million film with a significantly larger union crew.
A pet monkey, fear, and driving Liam Neeson nuts: It’s all in Susan Lacy’s “Spielberg.”
The visual influence of Ridley Scott’s 1982 masterpiece has only grown over the last 35 years.
IndieWire’s staff digs through 17 years of cinematic images to find the best films shot by masters of the craft.
Lynch’s longtime DP Peter Deming talks about his 20-year collaboration with the director and shooting all 18 episodes of “Twin Peak: The Return.”
The “Kingsman: The Golden Circle” director discusses why clarity is king when making an action film.
During IFP Film Week Adele Romanski and Barry Jenkins talk about James Baldwin, their new company PASTEL and life after the Oscars.
Aronofsky and cinematographer Matthew Libatique explain their unorthodox preparation for shooting a very unorthodox movie.
