West coast crew win a pay raise and some concessions on streaming content, but Local 700’s leadership warns the deal is an undefined band-aid that leaves pensions vulnerable.
McQuarrie’s career changed when he started walking through the doors that were open to him in Hollywood. Now, off his “Mission: Impossible” success, he wants to go back to movies he dreamed of making, but never could.
IATSE is a large collection of locals that are hard to organize, making a strike unlikely, but there are reasons the union considered to be toothless is finding its bite.
The Female Gaze is a two-week survey of 36 films shot by 23 female cinematographers programmed by the Film Society of Lincoln Center in New York.
There’s reason for optimism in the IATSE’s negotiations, but the issues at play reveal just how fundamentally Netflix has shaken up the way Hollywood does business.
The MPAA giving Bo Burnham’s new film an “R” was never in doubt, which is part of the problem.
The location manager accusing a drunk Depp of physical assault isn’t only going after the troubled star, but the director and producer who allegedly protected this behavior and fired him.
A new breed of populist candidate is refusing corporate dollars and relying on visual storytelling as their fuel.
After studying under cinematographer Ed Lachman, Shevaun Mizrahi forged her own unique filmmaking path with its own set of rules.
The actress and director both love the genre, but as they told IndieWire, they also knew it needed to be retrofitted to tell the true story of Catherine Weldon and Sitting Bull.
Lane and Schoenbrun discuss how her interest in Morgellons disease patients (“The Pain of Others”) and his exploration of the Slenderman myth (“A Self-Induced Hallucination”) led them to make archival films from YouTubes.
Our reporter judges that IMAX justifies the upcharge, for several reasons — but that massive screen isn’t even the first one.
