Refn spoke to IndieWire about how his new free streaming service and Amazon series “Too Old To Die Young” both reflect his desire to embrace a new way of storytelling.
IndieWire celebrates the work of Rachel Morrison, Ellen Kuras, and nine other cinematography greats with the help of some of their greatest collaborators and admirers.
Writer-director Augustine Frizzell writes for IndieWire about creating a cinematic space to reflect on her wayward years.
As the subscription service many thought was too good to be true collapses, let’s not learn the wrong the lesson from its demise.
The unorthodox labor negotiation enters a new chapter, with crew turning to Facebook instead of their locals for answers and an electoral college style vote that could wreak havoc.
Toolkit Podcast Ep. 60: With “Fallout,” McQuarrie takes an enormous step as a director by unlocking how to inject his action sequences with the same emotional clarity he brings to his writing.
West coast crew win a pay raise and some concessions on streaming content, but Local 700’s leadership warns the deal is an undefined band-aid that leaves pensions vulnerable.
McQuarrie’s career changed when he started walking through the doors that were open to him in Hollywood. Now, off his “Mission: Impossible” success, he wants to go back to movies he dreamed of making, but never could.
IATSE is a large collection of locals that are hard to organize, making a strike unlikely, but there are reasons the union considered to be toothless is finding its bite.
The Female Gaze is a two-week survey of 36 films shot by 23 female cinematographers programmed by the Film Society of Lincoln Center in New York.
There’s reason for optimism in the IATSE’s negotiations, but the issues at play reveal just how fundamentally Netflix has shaken up the way Hollywood does business.
The MPAA giving Bo Burnham’s new film an “R” was never in doubt, which is part of the problem.
