The astounding production brought Italian Neo-Realism to Appalachia, but distributors recut it as an exploitation film. Years later, Nicolas Winding Refn has restored it to its former glory.
Editors voted 89 percent against ratification. It’s been three bumpy months for the union representing film and TV crew, but the fight for IATSE’s future has just begun.
Did Netflix just disrupt every other studio from shooting in Albuquerque? Four big takeaways from yesterday’s deal.
The filmmaker behind the new Netflix drama tells IndieWire how she worked to make her audience feels like they live in New York (complete with becoming emotionally undone in public).
Toolkit Podcast, Ep. 61: Lowery talks about his plans to make “the definitive ‘Peter Pan'” and the smaller film he’ll quickly make before production of the children’s classic.
Behind the scenes of the unprecedented restoration: How digital technology was used to solve an analog nightmare, Danny Huston ADR’ing his father’s dialogue, ILM effects shots, cracking Welles’ unique editing vision, and more.
The “Maniac” director on his love for “Airplane,” his lifelong dream of doing a Bond movie, and how he transferred plans from “It” to his new Netflix series.
Many movies are costly to preserve. Others have disappeared. It’s a problem no one saw coming.
The SXSW winner received global distribution offers of $100,000, an amount it doubled playing in 67 French theaters last week.
There is still a possibility of an industry crippling strike this fall, hear from the voice leading the charge to vote “no.”
With the vote to ratify the new contract looming, IATSE’s scorched earth attempt to discredit the Editors Guild’s Cathy Repola has done little to calm the waters.
In Criterion’s new version, released today, Malick used 49 minutes to delve more deeply into the cycle of toxic masculinity.
