‘Elephant’ Review: Meghan Markle Narrates Another Emotional, Educational Disneynature Doc
The latest Disneynature film is heading straight to Disney+, where it joins a long line of animal-obsesssed offerings. It’s one of the better ones.
Reviews
‘There’s Something in the Water’ Review: Ellen Page’s Urgent Netflix Documentary Confronts Environmental Racism
Page and co-director Ian Daniel deliver an informative indictment of Nova Scotia’s history of pollution in black and indigenous communities.
‘Tape’ Review: Strong Performances Elevate #MeToo Drama That Doesn’t Reckon With Worst Questions
Deborah Kampmeier’s film delves into the dark side of the entertainment industry, finding unexpected villains in the process.
‘Banana Split’ Review: A Charming High School Rom-Com That Loves Friendship Most of All
Star Hannah Marks also co-wrote the film’s script, which should appeal to fans of “Booksmart” and “For a Good Time, Call.”
‘Vivarium’ Review: Jesse Eisenberg and Imogen Poots Star in a Creepy Suburban Brain Bender
A superb Poots carries this sometimes shaky, but never boring, “Twilight Zone”-like thriller, which seems readymade for the age of self-isolation.
‘Cunningham’ Review: Occasionally Dazzling Documentary Is for Modern Dance Superfans Only
Alla Kovgan’s look at the life of iconic dancer and choreographer Merce Cunningham will appeal to modern dance geeks, but has little for neophytes.
‘Shiva Baby’ Review: A Sugar Daddy Crashes a Jewish Funeral in This Lively Queer Comedy
SXSW: Polly Draper’s refreshing take on a Jewish mother brightens Emma Seligman’s debut feature, which mines a wild premise for dark laughs.
‘Resistance’ Review: Jesse Eisenberg Is Marcel Marceau in Holocaust Thriller That Goes Through Motions
Eisenberg’s performance is the giddy standout of a bizarre and half-baked Holocaust thriller that’s otherwise absent any sense of self.
‘Dark City Beneath the Beat’ Review: TT the Artist Remixes Baltimore Into 65-Minute Club Banger
A full-body ode to Baltimore and the incredible people who keep it dancing in spite of everything else.
‘I Will Make You Mine’ Review: Cinema’s Most Casual Trilogy Ends on a High Note
SXSW: The romantic misadventures of singer-songwriter Goh Nakamura continue in Lynn Chen’s light and winsome sequel to “Daylight Savings.”
‘Lapsis’ Review: Clever Sci-Fi Dramedy Tackles Corporate Greed With Style and Surprises
SXSW: Noah Hutton’s feature debut is an ambitious blend of modern technology and timeless concerns, bolstered by a winking good humor.
‘The Platform’ Review: Netflix Horror Movie Flips ‘Cube’ Into Cannibalistic Allegory for Capitalism
A raw and metaphorical horror movie that’s set inside a vertical prison where people are forced to eat the leftovers of those above them.
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Kennedy Center Honors: 50 entertainers who deserve to be selected
