‘The Last Full Measure’ Review: Sebastian Stan and Ed Harris Lead a Bad War Movie With Good Intentions
Ed Harris, William Hurt, and the late Peter Fonda all appear in this dull reminder that bad movies are often made with the best intentions.
Reviews
‘A Fall From Grace’ Review: Tyler Perry’s First Netflix Movie Is a Trashy Hitchcock Riff
Shot in five days last December — because why not? — Perry’s self-produced soap opera scribble is a hilarious so-bad-it’s-good romp with too many twists to count.
‘Dolittle’ Review: Even Robert Downey Jr. Can’t Salvage a Train Wreck
It turns out that the writer of “Traffic” and “Syriana” wasn’t the best person to make an $175 million kids movie about talking animals.
‘Bad Boys for Life’ Review: Will Smith and Martin Lawrence’s Long-Awaited Sequel Delivers the Goods
A fun, explosive, and even thoughtful action movie that updates Jerry Bruckheimer bombast for the modern age of multiplex cinema.
‘Like a Boss’ Review: Even Tiffany Haddish Can’t Save This Senseless Friendship Comedy
Haddish and Rose Byrne play best friends in the latest comedy to pander to women with a generic take on female friendship.
‘Inherit the Viper’ Review: Josh Hartnett Leads an Undercooked Crime Thriller About the Opioid Epidemic
Anthony Jerjen’s questionably titled Ozarkian crime thriller explores the core ironies of a modern plague.
‘Underwater’ Review: Kristen Stewart Anchors a Shallow but Satisfying Creature Feature
“Underwater” is a fun throwback to a time when all you needed to make a movie was a girl, a sinking sea lab, and some very gnarly monsters.
‘The Grudge’ Review: Messy Reboot Only Succeeds at Further Killing Dead Franchise
A star-studded cast and filmmaker Nicolas Pesce’s skill with horrific gore can’t save a baffling and emotionally empty retread.
‘The Gentlemen’ Review: Guy Ritchie’s Return to Criminal Form Is a Crass, Flat Enterprise
Two decades and several million dollars into Ritchie’s career, his latest feels like a heavily cynical, a crass attempt to appease his “Aladdin” detractors.
‘Cats’ Review: Tom Hooper’s Feline Musical Is an Absurd and Exuberant Mess
This visually dense adaptation of the Andrew Lloyd Webber hit is at once too crazy for this world, and not quite crazy enough.
‘Star Wars: The Rise of Skywalker’ Review: The Fan Service Is Strong In a Snazzy but Uninspired Climax
J.J. Abrams’ final entry in the blockbuster trilogy is not devoid of fun, but all that razzle-dazzle can’t obscure a hollow core.
‘Spies in Disguise’ Review: Will Smith Sends Up James Bond in Pro-Pigeon, Anti-Drone Animated Offering
A pacifistic love letter swaddled in a disconcerting number of facts about pigeons, the Blue Sky animated feature flies high when leaning into dumb jokes and silly action.
Newswire
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Syd Mead Designed the Future of Science Fiction Films
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Anne Hathaway Balances Family Drama, Covert Arms Dealing in ‘The Last Thing He Wanted’
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‘Fleabag’ To Premiere On Comedy Central Latin America Later This Year – NATPE
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Maggie Lawson Revisits Psych, Justified, Lethal Weapon and Other Past Roles, Teases Outmatched Fun
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Sarah Paulson’s ‘American Horror Story’ characters ranked worst to best: Does YOUR #1 choice match ours?
