‘Martin Margiela: In His Own Words’ Review: Chic Documentary Unmasks Fashion’s Most Elusive Figure
Reiner Holzemer’s tribute doesn’t break the mold, but offers perhaps the most revealing insight yet into a man who has made an empire out of mystery.
Reviews
‘Magic Camp’ Review: Adam DeVine Stars in Disney+’s Most Uninspired Original Yet
Mark Waters’ summer camp comedy isn’t a total bomb, but it feels like the kind forgettable programming the streamer has so far avoided.
‘Project Power’ Review: Jamie Foxx and Dominique Fishback Fight Pill-Popping Superheroes
Jamie Foxx and rising star Dominique Fishback make a compelling duo in Henry Joost and Ariel Schulman’s Netflix actioner, but the film is never as good as its biggest and best ideas.
‘Spree’ Review: Joe Keery Is a Serial-Killing, Wannabe Influencer in This Nihilistic Satire
Sasheer Zamata, Mischa Barton, and Frankie Grande are just some of the bonkers cast in Eugene Kotlyarenko’s heartless send-up of social-media whoredom.
‘Endless’ Review: A Soulless and Vapid ‘Ghost’ Ripoff for Teens
Alexandra Shipp and Nicholas Hamilton try to breathe life into an emotionally empty interrogation of the possibility of life after death.
‘Sputnik’ Review: Russian ‘Alien’ Homage Is a Gripping and Gross B-Movie
The slick Cold War alien invasion thriller from first-time director Egor Abramenko isn’t groundbreaking, but taps into real-world fears.
‘Spinster’ Review: Chelsea Peretti-Starring Anti-Romcom Overcomes a Disastrous First Act
The comedian stars in a film that can’t quite figure out what to do with her until the very end.
‘Work It’ Review: Netflix’s Spin on ‘Step Up’ Style Dance Movie Is Fun and Forgettable
Laura Terruso’s zippy high school dance competition movie is at its best when it stops trying to pop and lock its way through predictable turns.
‘Made in Italy’ Review: Liam Neeson and His Son Chase Catharsis in a Feel-Good Drama with No Edge
James D’Arcy’s feature debut is a treacly, multigenerational meta-exercise that serves as a vehicle for Neeson and Micheál Richardson, who make the most out of a soggy script.
‘Psychomagic’ Review: Alejandro Jodorowsky Delivers His Solution for All of Humanity’s Pain
The 91-year-old filmmaker reveals his surreal therapy method, and creates the first avant-garde informercial.
‘The Secret Garden’ Review: A Magical Revamp That Occasionally Delights
The latest adaptation of the Frances Hodgson Burnett classic teeters between Gothic drama and plant-based magic. Sometimes, it’s even good.
‘An American Pickle’ Review: Seth Rogen’s Bizarre Dual Performance Is One of His Best
Playing against himself as both an Eastern European immigrant and his Brooklyn great-grandchild, Rogen singlehandedly rescues this strange Jewish satire.
Newswire
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Linda Manz, ‘Days of Heaven’ and ‘Out of the Blue’ Actor, Dies at 58
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Listen to This Hip-Hop/Bluegrass Rendering of ‘This Land Is Your Land’
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LAUSD Starts Online Learning Next Week, Hopes To Be Better Than Spring
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That Lucifer Season 5 Trailer Doesn't Spoil as Much as You Think It Does
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![Kieran Culkin (‘Succession’) on how Roman Roy is ‘most like his father’ [Complete Interview Transcript]](https://www.indiewire.com/www.goldderby.com/wp-content/uploads/2020/07/kieran-culkin-1.jpg?resize=230%2C135&ssl=1&w=300)
Kieran Culkin (‘Succession’) on how Roman Roy is ‘most like his father’ [Complete Interview Transcript]