‘Spirits in the Forest’ Review: Anton Corbijn’s Depeche Mode Concert Doc Puts the Fans First
Depeche Mode sound better than ever in concert, but Anton Corbijn’s doc is more about the people who carry the band’s music with them.
Reviews
‘Richard Jewell’ Review: Low-Key Clint Eastwood True Drama Belongs to His Canon of Misunderstood Heroes
The director gets out of his own way to deliver a no-frills, solid-as-oak, competently mounted slice of biopic.
‘Citizen’ K Review: Alex Gibney’s Riveting Documentary Untangles Putin’s Rise to Power
A grippingly clear and comprehensive overview of post-Soviet Russia that’s wrapped around the smeared maquette of a man who’s defined it.
‘Klaus’ Review: Netflix’s First Original Animated Feature Is a Gorgeous but Contrived Santa Origin Story
The creator of “Despicable Me” tries to redeem himself with a beautiful throwback to the glory days of hand-drawn animation.
’21 Bridges’ Review: Chadwick Boseman Sheds Black Panther in Sturdy, Predictable Cop Drama
Stephan James, Sienna Miller, and J.K. Simmons round out the cast in an original crime drama with some entertaining, if obvious twists.
‘I Lost My Body’ Review: This Poetic Fable About a Severed Hand Is the Best Animated Film of the Year
A severed hand crawls across Paris in search of its body in a fable that’s head and shoulders above every other animated movie this year.
‘Earthquake Bird’ Review: Alicia Vikander Soars in a Netflix Thriller that Fails to Take Flight
Alicia Vikander channels Isabelle Huppert in a morose psychosexual Netflix thriller about a translator accused of murder in Tokyo.
‘Queen & Slim’ Review: A Flawed but Powerful Indictment of Police Brutality in America
Much more than a black “Bonnie and Clyde,” Melina Matsoukas and Lena Waithe have crafted an emotional lament that’s powerful even when it stumbles.
‘Blessed Child’ Review: An Intimate Look at One Woman’s Escape from Her Parents’ Cult
Cara Jones’ extremely personal film offers an inside look at her life as a Moonie, and the pain of leaving her parents behind with the cult.
‘Frozen 2’ Review: Long-Awaited Sequel Pushes Disney Into a Charming and Surprising New Direction
The beloved Disney musical digs deeper into tensions between the traditional and the bold, bolstered by gorgeous animation and a handful of instant-classic new jams.
‘Mickey and the Bear’ Review: Camila Morrone Shines in a Strong Coming-of-Age Drama
The film sidesteps the usual genre tropes in order to explore questions that we never grow out of asking ourselves.
‘Dark Waters’ Review: Mark Ruffalo Takes on the Man in Todd Haynes’ Dreary Eco-Thriller
Ruffalo’s passion project is a didactic tale of corporate malfeasance, but its environmental concerns have a profound sense of purpose.
Newswire
-
TV News Roundup: ‘Stumptown’ Adds Inbar Lavi in Guest Role
-
Schiff Sounds Kinda Like ‘Sh!t’ and the Trump Team Thinks That’s Worth a T-Shirt
-
Chris Messina & Ari Graynor To Star In Paul Simms Comedy Pilot At FX, Jonathan Krisel To Direct
-
Louie Anderson to Star as Talking Cat in Fox Multi-Cam Comedy Tigsley
-
![Nanfu Wang (‘One Child Nation’): Doc explains how China indoctrinated its people through ‘a combination of propaganda and violence’ [EXCLUSIVE VIDEO INTERVIEW]](https://i0.wp.com/www.goldderby.com/wp-content/uploads/2019/11/Nanfu-Wang.jpg?resize=230%2C135&ssl=1&w=300)
Nanfu Wang (‘One Child Nation’): Doc explains how China indoctrinated its people through ‘a combination of propaganda and violence’ [EXCLUSIVE VIDEO INTERVIEW]
