‘Vivo’ Review: Lin-Manuel Miranda Voices a Rapping Kinkajou in Netflix’s Flat Animated Musical
Lin-Manuel Miranda and the director of “The Croods” team up for a kid-friendly musical that starts on a high note before losing its rhythm.
Reviews
‘The Suicide Squad’ Review: James Gunn Delivers the Least Depressing Superhero Movie in a Long Time
James Gunn’s wildly ultra-violent superhero movie is a mega-budget mulligan; not a reboot or a sequel so much as a second chance.
‘Jungle Cruise’ Review: Disney’s Latest Movie Ride Isn’t Rousing Enough to Justify the Trip
Dwayne Johnson & Emily Blunt do their best to help Disney copy the “Pirates of the Caribbean” formula, but only Jesse Plemons pulls it off.
‘The Green Knight’ Review: Dev Patel Decapitates His Destiny in David Lowery’s Arthurian Masterpiece
Surreal, stoned, and glistening with a layer of heavy metal realness, David Lowery’s medieval adventure is a chivalric romance for the ages.
‘Val’ Review: A Documentary Portrait of Kilmer That’s Sensitive If Frustratingly Surface-Level
Among its dodges, “Val” doesn’t address why the “difficult” label got pinned to Kilmer more than other ’90s Hollywood divos.
‘Jolt’ Review: Kate Beckinsale Is Zippy, but This Awkward Actioner Is Not
You’d think a film about a woman with impulse control and super strength would have some pop. You would be wrong.
‘Old’ Review: M. Night Shyamalan’s Latest Thriller Doesn’t Age Well
Life’s a beach in M. Night Shyamalan’s well-cast new movie, which never finds a way to follow through on its skin-crawling premise.
‘The Last Letter from Your Lover’ Review: Jojo Moyes’ Time-Spanning Love Story Gets Lackluster Movie
Director Augustine Frizzell gamely attempts to balance disparate tones and stories, but only a small portion of this Netflix adaptation holds much of a thrill.
‘Snake Eyes’ Review: Henry Golding’s ‘G.I. Joe’ Origin Story Is Fun Enough to Survive Unforgivably Bad Fight Scenes
Henry Golding’s G.I. Joe origin story has enough flavor to overcome some of the worst fight scenes to ever disgrace a movie screen.
‘Blood Red Sky’ Review: Netflix’s Airplane Hijacking Thriller Never Makes Good on Its Wild Twist
A group of terrorists pick the wrong plane to hijack in a Netflix thriller that never finds the right way to accommodate its wild twist.
‘Vortex’ Review: Gaspar Noé’s Split-Screen Drama Is a Surprisingly Grounded Variation on ‘Amour’
Cannes: The filmmaker uses two icons of cinema and a clever central gimmick to deliver an affecting look at mortality.
‘Blue Bayou’ Review: Justin Chon’s Deportation Tear-Jerker Nearly Sinks Under the Weight of its Melodrama
Cannes: Chon and Alicia Vikander co-star in an overwrought but deeply heartfelt story about America’s deportation of foreign-born adoptees.
Newswire
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The Weeknd Teases New Music in ‘The Dawn Is Coming’ Clip
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The Weeknd Teases New Album, Discusses Grammys Snub: ‘I Just Don’t Care’
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Sky’s Keeley Hawes Drama ‘The Midwich Cuckoos’ Temporarily Halted After Positive Covid Case
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The Chi Renewed for Season 5
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Barstool Sports Arizona Bowl Narrows Gap Between Sportsbooks and Broadcasters