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Oscars 2020: Best Production Design Predictions

Period production design dominates the Oscar race, with Bong Joon Ho’s "Parasite" as the impressive outlier. Updated 1/18/20.

1917

“1917”

Universal Pictures

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It’s a strong season for period production design Oscar contenders, with Sam Mendes’ bold, continuous-shot, Word War I thriller, “1917,” as the frontrunner. It required production designer Dennis Gassner and the art department to make the intricate sets (the trenches, No Man’s Land, the destroyed countryside, and burned out village) in precise accordance with the choreography of Roger Deakins’ tour de force camera work.

Bong Joon Ho’s “Parasite” masterfully explores class divide in Korea, boasting the season’s most elaborate production design work by designer Lee Ha Jun. The exquisite mansion serves as a central character; and the home’s vertical design expresses space and division, highlighted by wood, glass, and spare furniture.

“Parasite”

Neon

Another standout is Barbara Ling’s work on Quentin Tarantino’s “Once Upon a Time in Hollywood.” She provides a 50-year face lift to Hollywood Blvd. and Westwood Village for Tarantino’s 1969 love letter to Tinseltown, and recreated the creepy Spahn Ranch in the San Fernando Valley for the Manson Family lair.

Meanwhile, for Martin Scorsese’s mob epic, “The Irishman,” starring innovatively de-aged screen legends Robert De Niro, Al Pacino, and Joe Pesci, production designer Bob Shaw oversaw recreations for the ’50s, ’60s, ’70s, and beyond for both familiar exteriors along with bars, restaurants, and hotels for nefarious meetings. It was a very tight 108-day schedule, with around 30 sets for nearly 300 locations.

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The design, layout, and decor of the baroque house in Taika Waititi’s “Jojo Rabbit” served as a playground for the conflict between love and hate. Production designer Ra Vincent built the modular set at Prague’s Barrandov Studios, which allowed scenes to be shot in any direction. The house brightened up the broken down period with panache.

On location of Columbia Pictures' ONCE UPON A TIME IN HOLLYWOOD

“Once Upon a Time in Hollywood”

Andrew Cooper

The final five contenders are listed in alphabetical order. No film will be considered a frontrunner until we have seen it.

Frontrunners
“1917” Production Design: Dennis Gassner; Set Decoration: Lee Sandales
“Once upon a Time in Hollywood” Production Design: Barbara Ling; Set Decoration: Nancy Haigh
“Parasite” Production Design: Lee Ha Jun; Set Decoration: Cho Won Woo

Contenders
“The Irishman” Production Design: Bob Shaw; Set Decoration: Regina Graves
“Jojo Rabbit” Production Design: Ra Vincent; Set Decoration: Nora Sopková

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