‘The Good House’ Review: Sigourney Weaver Is a Witchy Alcoholic
The “Infinitely Polar Bear” team return with a wildly uneven Ann Leary adaptation about a realtor struggling to keep up appearances.
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‘The Survivor’ Review: Ben Foster Lost 60 Pounds to Play a Boxer in Barry Levinson’s Disjointed Holocaust Biopic
TIFF: Foster goes full “Raging Bull” in this clumsy biopic about a boxer haunted by survivor’s guilt after fighting his way out of hell.
‘Benediction’ Review: Terence Davies’ Siegfried Sassoon Biopic Is a Wounded Portrait of Poetry and Self-Loathing
Davies follows his Emily Dickinson biopic “A Quiet Passion” with another painfully tender film about a kindred spirit.
‘Paka (River of Blood)’ Review: WWE Wrestling, Secret Weddings, and a Gripping Story of Generational Pain
TIFF: Nithin Lukose’s debut feature melds “Romeo and Juliet” with his grandmother’s painful memories.
‘The Mad Women’s Ball’ Review: Mélanie Laurent Confronts the Misogyny of Modern Medicine
Lou de Laâge can see dead people in an urgent but unfocused film about the “hysterical” women once confined to Pitié-Salpêtrière hospital.
‘The Humans’ Review: Stephen Karam Adapts His Tony-Winning Play into the First Real Horror Movie About 9/11
Broadway & Blumhouse meet in a film with Richard Jenkins, Beanie Feldstein, Steven Yeun, Amy Schumer, Jayne Houdyshell, and June Squibb.
‘Dug Dug’ Review: An Alcoholic Inspires a New Religion in Ritwik Pareek’s Intoxicating Religious Satire
TIFF: An Indian comedy bursting at the seams with vivid detail, musical energy, and a fair few flourishes borrowed from big Hollywood names.
‘Earwig’ Review: A Little Girl with Ice Cube Teeth Comes of Age
Both of Lucile Hadžihalilović’s previous films were shaped by a kind of nightmare logic, but “Earwig” utterly drowns in it.
‘Falling’ Review: Lance Henriksen Is a Bad Dad for the Ages in Viggo Mortensen’s Directorial Debut
Viggo Mortensen’s directorial debut is as sincere and unusual as you might expect from one of Hollywood’s most unclassifiable stars.
‘The New Corporation’ Review: A Timely Documentary Sequel That’s More Unfortunate than Necessary
TIFF: Jennifer Abbott and Joel Bakan’s scattershot exposé of corporate malfeasance is horrifying but largely unhelpful.
’76 Days’ Review: A Harrowing Look Inside the Lockdown in Wuhan
One of the first documentaries about the pandemic, this fly-on-the-wall portrait of China’s medical workers is history in the making.
‘Wolfwalkers’ Review: Cartoon Saloon’s Irish Folklore Trilogy Ends with the Best Animated Film of the Year
The third installment of Cartoon Saloon’s Irish folklore trilogy fulfills the promise of “The Secret of Kells” and “Song of the Sea.”
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Law & Order: SVU Recap: Did Benson and Stabler Actually Kiss?
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