‘Suspiria’ Review: Luca Guadagnino’s Horror Remake Is a Grim and Glorious Work of Madness — Venice
Sure to be the most polarizing film since “mother!,” Luca Guadagnino’s mad remake boasts Thom Yorke, multiple Tilda Swintons, and tons more.
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‘Non-Fiction’ Review: Olivier Assayas and Juliette Binoche Deliver a Timeless Comedy About Twitter — Venice
Olivier Assayas’ comedy about digital anxieties is the rare film that references Star Wars, Taylor Swift, and philosopher Theodor Adorno.
‘Ex Libris — The New York Public Library’ Review: The Best Thing to Happen to Libraries Since the Dewey Decimal System
The hypnotic and essential “Ex Libris” stands out as a definitive example of — and testament to — Frederick Wiseman’s style and mission.
Mel Gibson Calls ‘Batman v Superman’ a ‘Piece of Sh*t’
Gibson’s new film “Hacksaw Ridge” will be released on November 4.
Mel Gibson’s ‘Hacksaw Ridge’ Is His Power Ballad To Violence and Pacificism – Venice Film Festival Review
Starring Andrew Garfield, the director’s first film in a decade enters the Oscar race praising pacifism, but celebrating violence.
Jude Law Is HBO’s ‘The Young Pope,’ But You Might Call It ‘House of Cardinals’ — Venice Film Festival Review
Paolo Sorrentino makes his move to TV with power and grace with “The Young Pope,” which will be seen in the U.S. on HBO.
‘One More Time With Feeling’: Nick Cave’s Tragedy and the Very Beautiful Music Documentary — An Interview With Director Andrew Dominik
After screening the film in his home, Andrew Dominik talks about the art of filming grief in 3D black-and-white.
Mel Gibson’s ‘Hacksaw Ridge’ Emerges as Surprise Awards Contender
As the Venice Festival launches the fall awards season, several unexpected candidates enter the race.
