Northern Italy, 17th century. In a monastery, a nun accused of witchcraft tries to seduce a young confessor who refuses to yield to his searing temptation.
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“I needed to respect the language enough not to subtitle it.”
The DP talks about her year-long prep with Jane Campion to create the look and feel of “The Power of the Dog.”
Toast to the most wonderful time of the year!
When people from hundreds (even thousands) of years ago show up out nowhere in Oslo, this show looks instead at how everyone adjusts to a new reality.
Cameron says his unmade “Spider-Man” movie is “more in the vein of ‘Terminator’ and ‘Aliens,’ you buy into the reality right away.”
The Oscar contender from Denmark uses animation to convey both historical fact and sensory memory.
“Landscapers” paints two vivid yet diverging portraits of the same crime: one driven by greed and desperation, the other out of love.
“I did learn that I am a director,” said Gyllenhaal. “I maybe always have been a director.”
Three screenplays by Paul Thomas Anderson appear on the list.
Awards voters, take note: It’s definitely the best bloody show currently airing on Showtime.
Exclusive: Watch the director discuss collaborating with her committed cast, including Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, and Kodi Smit-McPhee.
Finally, some good news for Kendall Roy.