During the seven years chronicled in the film, artist and musician Llyn Foulkes uses hammers and saws to create, destroy, and recreate a pair of large-scale, three-dimensional paintings, one that costs him his marriage, while trying to keep afloat in the fickle art market. With interviews from veterans of the 1960s Los Angeles art scene such as Dennis Hopper and George Herms, the film reconstructs Foulkes’s uncompromising, up-and-down career as he was kicked out of the legendary Ferus Gallery and walked away from a successful career as an L.A. pop artist. Structured like one of Foulkes’s constantly reworked paintings, the film tracks his artistic struggles, ending as he is at last rediscovered by the international art world at age 77. With music written and performed by Foulkes on a massive, fanciful, self-invented musical instrument he calls ‘The Machine,’ Llyn Foulkes One Man Band is an intimate portrait of an artist battling his own demons as well as the perceived demons of the art world.
IndieWire reached out to the cinematographers behind the nonfiction features premiering at the 2022 Sundance Film Festival, and asked which cameras, lenses, and formats they used, and why they chose them to create the looks and meet the production demands of their films. Here are their responses. Films appear in alphabetical order by title. “All […]