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The “Climax” director takes an Yves Saint Laurent assignment and transforms it into a disorienting riff on the filmmaking process.
Cannes: Robert Eggers follows up “The Witch” with the best movie about bad roommates ever made.
Plus, Alec Baldwin’s Trump meets Queen’s “Don’t Stop Me Now.”
Several critics suggested Robert Eggers’ new horror film is the best movie to debut at Cannes so far.
There’ve been a lot of movies about Voodoo culture and its colonialist history, but only Bertrand Bonello’s includes a speech about Rihanna.
Corneliu Porumboiu’s enjoyable riff on the heist movie tradition has a unique hook, and is begging for an English language remake.
Jean-Louis Trintignant and Anouk Aimée reprise their roles in a touching nod to the Oscar-winning love story, but nostalgia overtakes their chemistry.
It ended worse for the attacker than it did for Schwarzenegger.
The Palme d’Or winner’s next project could be his strangest.
Maybe she would have treated King’s Landing differently.
Kano. Liu Kang. Raiden. Johnny Cage. Scorpion. Sub-Zero. James Wan.
Diao Yinan’s latest noir contains enough flashes of brilliance to certify him as a major filmmaker, but it’s no “Black Coal, Thin Ice.”