Tony Montana is an exiled Cuban criminal who goes to work for Miami drug lord Robert Loggia. Montana rises to the top of Florida’s crime chain, appropriating Loggia’s cokehead mistress in the process.
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This French heist comedy is the best movie that Guy Ritchie never made.
Home-viewing action, at least as reported, isn’t as intense as at theaters right now. But the maneuvering may be just as important.
Tribeca: With Ronda Rousey lying low and Gina Carano not lying low enough, boxer Kali Reis is here to show other fighters how to act.
Brewster has her “fingers crossed” that an all-female “Fast & Furious” movie gets made.
AFC Richmond was always written to be a diverse team of players from around the globe, and casting choices just altered the characters’ countries of origin.
Here’s a blast from the past that retro gamers have been looking for.
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The Oscars and Emmys are trying to find separate identities. These days, that’s hard, as the awards race goes on all year long.
Davies talks the ’80s-set HBO Max AIDS drama, and why telling the story of the early days of the epidemic matters in 2021.
Barry Jenkins knew that he wanted “The Underground Railroad” to feature “real trains with real people and a real tunnel.”
Because who couldn’t use a new tablet?
Payne’s first film since 2017’s “Downsizing” is going to be shopped to distributors at the Cannes market.
We’re not even at the quarter mark of the year, but there are already an overwhelming number of shows making a good case for your TV attention.