A French family with two daughters, 10-year-old Laure and 6-year-old Jeanne, moves to a new neighborhood during the summer holidays. With her tomboy ways, Laure is immediately mistaken for a boy by the local kids and passes herself off as Michael.
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Noémie Merlant and Adèle Haenel star as a painter and her subject in Céline Sciamma’s devastatingly unforgettable story of love and memory.
The guild joins Disney, Amazon, and other Hollywood leaders in offering to pay for employees to travel to states where abortion is legal.
The filmmaker tells IndieWire about his gonzo new film, destigmatizing gastrointestinal ailments, and cooking up a wicked sound design for this story of gourmand musicians.
“Overturning Roe and Casey is against the will of the people.”
Head of prosthetics Chris Bridges tells IndieWire about Ethan Peck’s post-“Discovery” makeover — and the creation of his Vulcan-in-disguise look for the pilot.
In the nonfiction “Bitterbrush,” two women on the range turn “cowboy” into a verb.
This week: a “deranged” Elvis, an adorable anthropomorphic shell, kids in peril, a very weird dinner party, and lots more.
Exclusive: Celebrating the 50th anniversay of “The Bitter Tears of Petra von Kant,” the Berlin hit is set to premiere at Frameline this weekend.
Following the overturn of Roe v. Wade on June 24, Hollywood has issued updated healthcare protocols for employees.
Despite the threat to abortion rights across the U.S., the experience has never been more visible in film and TV. Planned Parenthood’s Caren Spruch explains why.
Sparks fly in Bretten Hannam’s audacious road adventure about an angsty teen runaway searching for his indigenous roots.
But Aaron Paul is almost enough to light a spark that’s been fading since Season 1.
After the “Thor: Love and Thunder” premiere June 23, fans took to Twitter to praise Taika Waititi’s MCU “masterpiece.”