Two mutants, Rogue and Wolverine, come to a private academy for their kind whose resident superhero team, the X-Men, must oppose a terrorist organization with similar powers.
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Nate Townsend’s documentary is four films in one, but that’s a feature, not a bug of a doc that finds unexpected connections.
Why is “The Help” currently #1 on Netflix’s most viewed movies list? We have some answers.
In the wake of Kenya Barris’ controversial “#blackAF” episode and Lena Waithe’s commentary on black criticism, IndieWire invited four black critics to share their thoughts on the state of the industry.
Oscar nominee Greig Fraser heads to Arrakis after his work on “Rogue One” and “The Mandalorian.”
The Criterion Collection has also pledged an ongoing $5,000 monthly commitment to support organizations fighting racism in America.
Lulu Wilson is a standout in this bloody thriller about a murderous teen girl, but the latest from the directors of “Bushwick” and “Cooties” is short on good ideas.
René Laloux’s 1973 Cannes winner, now streaming on HBO Max, has a lot more on its mind than trippy visuals.
A constantly updating list of what’s still getting done in film and TV.
Producer Sara Archambault addresses the TFI closure and how the film community should respond to a major threat to its resources.
Edgar Wright says he would work with the “Star Wars” actor “in a heartbeat.”
With 14 BAFTA nominations, the “Chernobyl” miniseries ties “Killing Eve” as the most nominated program in the ceremony’s history.
ViacomCBS aired a tribute to George Floyd on the same day its Pluto TV platform began airing conservative pundit Bill O’Reilly’s web show.