‘Roma’ Gets Company: Why the Foreign Language Oscar Race Is Heating Up — IndieWire’s Movie Podcast
Alfonso Cuaron’s Mexican drama may be the frontrunner, but it’s not alone in the foreign language race.
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Noah Centineo’s Message to Obsessive Fans: ‘Stop Following Me’ — Watch
Two Netflix rom-coms have made him an overnight success.
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‘Joker’: Joaquin Phoenix Debuts His Clown Makeup in Todd Phillips’ First Look Screen Test — Watch
Joaquin Phoenix is sporting a much more composed look than Heath Ledger in “The Dark Knight.”
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Inside Michael Moore’s Smear Campaign Against the Man Who Helped Build His Film Festival
With Traverse City Film Festival facing financial instability, Moore’s attacks on the credibility of Boston Light & Sound’s Chapin Cutler and his former executive director Deb Lake are raising eyebrows.
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‘Happy as Lazzaro’: Martin Scorsese Added as Executive Producer to Alice Rohrwacher’s Potential Oscar Entry — Exclusive
As the Cannes premiere readies for NYFF and beyond, Rohrwacher tells IndieWire about the “huge joy” of welcoming the iconic filmmaker onto her third feature.
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How Daniel Craig Engineered A Smart ‘Bond 25’ Finale with Director Cary Fukunaga
Craig has been wanting to do his own version of “From Russia with Love,” and now he’ll get the chance.
‘Maniac’ Review: Breaking Down an Enticing Ending with Many Meanings and One Powerful Message — Spoilers
So many passing moments in “Maniac” come back to matter in the end, and what viewers give the most weight could affect their final takeaway.
John C. Reilly’s Producing Partner and Wife, Alison Dickey, Is the Secret Hero of ‘The Sisters Brothers’
The actor spent seven years developing the first project that he also produced, but it was Alison Dickey who brought it to his attention.
‘I Think We’re Alone Now’: Peter Dinklage Wishes More Directors Were as Prepared as Reed Morano
The low-budget experience left director-cinematographer shooting inches from Dinklage’s face, and they want to do it again.
‘The Good Cop’ Review: Josh Groban Isn’t a Bad Cop or a Bad Actor, But He’s a Huge Problem in This Bland Netflix Comedy
Tony Danza reminds us of the good ol’ days while Josh Groban represents what’s wrong with the future — or at least Netflix’s algorithm.
Art House Theater Day Returns With ‘Thunder Road,’ ‘Schlock,’ and More
The third annual event takes place this Sunday, September 23.
‘Forever’ Co-Creators on That Incredible Episode 6 Curveball and the Possibilities for Season 2
Matt Hubbard and Alan Yang talk about ‘Andre and Sarah’ and the one word that most guided them in telling Oscar and June’s story.
Todd Haynes Sets ‘Dry Run’ as Next Film, Eyes Mark Ruffalo to Star in Du Pont Family-Inspired Drama
The Participant Media-backed drama will be Haynes’ next directorial effort following “Carol” and “Wonderstruck.”
‘Saturday Night Live’ Adds New Cast Member Ego Nwodim As Featured Player, Plus Four New Writers
Adam Driver and musical guest Kanye West will open the 44th season of the NBC sketch show.
Marvel’s ‘The Eternals’ Finds Its Director in ‘The Rider’ Helmer Chloé Zhao
“The Rider” has emerged as one of the most acclaimed films of the year.
Los Angeles Film Festival Launches, Hopefully Without an Identity Crisis
While LAFF made a radical move to fall, the festival did not change its focus or priorities. So far, sales are up.
‘Serial’ Season 3 Review: The Hit Podcast Is Back With a Remix That Sounds Just as Fascinating as the Original
Building out the scope from one case to the workings of an entire courthouse, the show is in a prime spot to recapture the public’s attention.
