Berlin 2015 | IndieWire

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Reviews

/ By Anne Thompson

Review: In Terrence Malick’s Meandering ‘Knight of Cups,’ Christian Bale Floats Through Hollywood

Review: In Terrence Malick’s Meandering ‘Knight of Cups,’ Christian Bale Floats Through Hollywood

Jan 21, 2016 3:37 pm /

News

/ By Carlos Aguilar

Watch: Exclusive ‘The Pearl Button’ Trailer Retraces History Via the Mythical Voice of the Water

Watch: Exclusive ‘The Pearl Button’ Trailer Retraces History Via the Mythical Voice of the Water

Sep 30, 2015 11:38 am /

Reviews

/ By Ryan Lattanzio

Elisabeth Moss Goes Next-Level Insane in Alex Ross Perry’s ‘Queen of Earth’

Elisabeth Moss Goes Next-Level Insane in Alex Ross Perry’s ‘Queen of Earth’ (Review)

Aug 26, 2015 12:27 pm /

Features

/ By Ryan Lattanzio

How ’54: The Director’s Cut’ Was Resurrected From 1998 Disaster to New Gay Cult Classic

Outfest: How ’54: The Director’s Cut’ Was Resurrected From 1998 Disaster to New Gay Cult Classic

Jul 9, 2015 3:29 pm /

News

/ By David Canfield

IFC Midnight Acquires Kiernan Shipka Vehicle ‘One & Two’ for U.S. Distribution

IFC Midnight Acquires Kiernan Shipka Vehicle ‘One & Two’ for U.S. Distribution

May 12, 2015 3:30 pm /

Festivals

/ By Sydney Levine

Arab Cinema Center Lands Its Second Edition at Cannes Film Festival

Arab Cinema Center Lands Its Second Edition at Cannes Film Festival

May 6, 2015 5:28 pm /

News

/ By Ryan Lattanzio

’54: The Director’s Cut’ Comes to Digital HD in All Its Hedonistic Glory

’54: The Director’s Cut’ Comes to Digital HD in All Its Hedonistic Glory

Apr 28, 2015 1:48 pm /

News

/ By Sydney Levine

Winter 2015 Rights Roundup Now Available!

Winter 2015 Rights Roundup Now Available!

Apr 7, 2015 12:30 pm /

News

/ By David Ballard

Kino Lorber Acquires Silver Bear-Winning ‘The Pearl Button’

Kino Lorber Acquires Silver Bear-Winning ‘The Pearl Button’

Mar 26, 2015 1:22 pm /

Festivals

/ By Carlos Aguilar

The 13th Annual Indian Film Festival of Los Angeles Announces Line-Up

The 13th Annual Indian Film Festival of Los Angeles Announces Line-Up

Mar 24, 2015 7:00 pm /

Features

/ By Renee Ylizaliturri

LatinoBuzz: Exclusive Interview with ‘Ixcanul’ filmmaker Jayro Bustamante

LatinoBuzz: Exclusive Interview with ‘Ixcanul’ filmmaker Jayro Bustamante

Mar 18, 2015 10:00 am /

Festivals

/ By Sydney Levine

Women Making Film is a Radical Act

Women Making Film is a Radical Act

Feb 26, 2015 10:00 am /

‘Portlandia’ Star Carrie Brownstein on How ‘Six Feet Under’ Inspired Her To Take Risks on TV — Turn It On Podcast

Also: The story behind her favorite “Portlandia” episode of all time, “The Story of Toni and Candace,” and whether she and Fred Armisen will ever revisit the show.

Emmys: Will ‘Handmaid’s Tale’ Triumph Over ‘Game of Thrones,’ and ‘Atlanta’ Over ‘Mrs. Maisel’? — Screen Talk Emmy Edition

Episode 13: The outstanding drama, comedy, and limited series Emmy races may appear to have their frontrunners, but surprises are possible at next month’s ceremony.

Oscar Season is Imminent, But Don’t Forget About These Smaller Films — IndieWire’s Movie Podcast

There are many exciting movies around the corner, but we already have much to celebrate.

‘The Handmaid’s Tale’ Producer Bruce Miller On How the ‘ER’ Pilot Changed the Way He Writes — Turn It On Podcast

The Emmy-nominated showrunner discusses how 1994’s two-hour “ER” premiere “24 Hours” changed TV. Plus: His favorite “The Handmaid’s Tale” episode.

Criterion’s ‘The Tree of Life’ Is Not a Director’s Cut, but a New Movie From Terrence Malick

Malick says that the new, 188-minute edit of his 2011 drama starring Brad Pitt is another version altogether.

Spike Lee’s Longtime Editor: ‘BlacKkKlansman’ Was His Quickest Cut Since ‘Do the Right Thing’

Barry Alexander Brown tells IndieWire about the pair's long-time working relationship, the important lesson he took from “Malcolm X,” and discovering that the actual David Duke was in Charlottesville.

‘Madeline’s Madeline’: Why the Dreamy Movie’s Surreal Imagery Took Six Years and Many Experiments to Get Right

How the melding of Josephine Decker and Ashley Connor’s bold visions and experimental backgrounds resulted in one of the year’s most visually astounding films.

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