The Best Cinematography of 2018
From the bold color of love in “If Beale Street Could Talk” to the immersive imagery of “Roma,” a look back at the year in cinematography.
From the bold color of love in “If Beale Street Could Talk” to the immersive imagery of “Roma,” a look back at the year in cinematography.
Director Yorgos Lanthimos pushed his cinematographer to extremes with the use of very wide lenses, only natural light, and bold camera moves.
Cinematographers Linus Sandgren, Robbie Ryan, and Sean Bobbitt explain why film was a part of the DNA of their Oscar contenders.
In an always hotly contested race, this year “Roma” filmmaker Alfonso Cuaron takes on the top directors of photography. Updated January 27, 2019.
Cinematographer Benoit Delhomme explored painting from the inside out in this unconventional portrait of Van Gogh (Oscar contender Willem Dafoe).
The Oscar bellwether for Best Cinematography also recognized “Cold War,” “Roma,” and “The Favourite.”
The monochromatic innovation in 65mm created a new visual aesthetic, making Cuarón an Oscar contender for cinematography.
The world’s best cinematographers explain how they created the visual language of “Roma,” “A Star Is Born,” “Black Panther,” “Vice,” and more.
Recreating Queen’s legendary Live Aid concert was the highlight for cinematographer Newton Thomas Sigel, and will be featured in its entirety on the Blu-ray/DVD.
Shooting digital with cinematographer Bruno Delbonnel came from necessity, but paid dividends, letting actors go and pushing colors in post.
Looking at a cinematographer’s body of work reveals what aesthetic aspects are specific to the cinematographer and how they impact the storytelling of the films they’ve shot.
After 14 nominations will the biggest name in cinematography really lose again? It’s a question everyone, except Deakins, is asking.