Cinematographer Hong Kyung-pyo explains the visual intricacies of conveying class divide through vertical compositions, rain, stairs, and contrasting lighting conditions.
The Polish cinematography festival that Oscar strategists love and that no DP would miss. This year, 13 titles made the competition cut.
Cuarón becomes the first DoP to win a Best Cinematography Oscar for a film he also directed.
“A Star Is Born” cinematographer Matthew Libatique’s career has been defined by an empathetic, visceral camera that adjusts to a film’s emotional rhythms.
Exclusive: Cuarón and Lachman discuss “Roma”‘s unique black-and-white aesthetic in a new video, “Capturing the Invisible Unknown.”
The cinematographer created a moving painting with Florian Henckel von Donnersmarck’s German-language contender.
Laxton and Barry Jenkins breakdown the visual language they used to translate Baldwin.
Director Pawel Pawlikowski and cinematographer Lukasz Zal reunited on this year’s other great black-and-white movie.
From the bold color of love in “If Beale Street Could Talk” to the immersive imagery of “Roma,” a look back at the year in cinematography.
Director Yorgos Lanthimos pushed his cinematographer to extremes with the use of very wide lenses, only natural light, and bold camera moves.
Cinematographers Linus Sandgren, Robbie Ryan, and Sean Bobbitt explain why film was a part of the DNA of their Oscar contenders.
In an always hotly contested race, this year “Roma” filmmaker Alfonso Cuaron takes on the top directors of photography. Updated January 27, 2019.
