Oscars 2023: Best Editing Predictions
Every Best Editing nominee is up for an ACE Eddie Award — but the American Cinema Editors’ winners don’t always align with the Academy’s.
Best Editing
American Cinema Editors Slam Oscars Changes, Feel ‘Unheard, Disrespected, and Abandoned’
The Oscar for Film Editing is one of eight categories that have been scrubbed from the live telecast.
Oscars 2022: Best Editing Predictions
“Dune” goes up against “The Power of the Dog,” “Don’t Look Up,” and more. (Constantly updated.)
2022 ACE Eddies: ‘King Richard,’ ‘Tick Tick Boom’ Take Surprising Drama and Comedy Editing Prizes
Oscar favorites “Encanto” and “Summer of Soul” took home the animated feature and documentary prizes.
ACE Editing Awards Include ‘Dune,’ ‘Belfast,’ ‘No Time to Die,’ ‘The Power of the Dog’
Other nominees included “King Richard,” “Licorice Pizza,” and “Don’t Look Up.”
‘Licorice Pizza’: Cutting Paul Thomas Anderson’s ’70s Nostalgia Trip in the Valley with Joyous Unpredictability
First-time feature editor Andy Jurgensen discusses “going in crazy, wild directions” with Anderson, anchored by a running motif.
‘No Time to Die’: Why the Pre-Credit Teaser Was Essential to Daniel Craig’s Swan Song as James Bond
Editors Tom Cross and Elliot Graham fought to keep the pre-credit teaser intact to protect director Cary Joji Fukunaga’s daring vision.
Oscars 2021: Best Editing Predictions
ACE Eddie winner “The Trial of the Chicago 7” is now the Oscar favorite. Constantly updated.
How Aaron Sorkin’s Team Set Up ‘The Trial of the Chicago 7’ with a Sprawling Prologue — Exclusive Video
For Oscar nominee Alan Baumgarten, editing the prologue was like lighting a fuse with historical context and multiple perspectives.
‘News of the World’: How the Editor of Tom Hanks’ Western Helped Shape an Emotional Story
Greengrass and editor William Goldenberg faced unusual challenges while figuring out the rhythms of their first western.
How Unconventional Characters Are Driving the Best Editing Oscar Race
“Ford v Ferrari” and “Jojo Rabbit” are the sleepers in a race marked by unconventional characters and demanding stories.
Editing the Narrative Complexities of ‘The Irishman,’ ‘Marriage Story,’ and ‘Little Women’
Directors Martin Scorsese (“The Irishman”), Noah Baumbach (“Marriage Story”), and Greta Gerwig (“Little Women”) benefited greatly from their go-to editors.
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