‘First Man’: Where Is the Support for Team Damien Chazelle’s Stunning Space Soundscape?
After getting shut out from the MPSE and CAS sound editing and mixing awards last weekend, “First Man” has fallen from favorite to underdog.
Best Sound Editing
Oscars 2019: Best Sound Editing Predictions
Immersion in a complex aural soundscape defines this year’s top Oscar contenders. Updated January 27, 2019.
Oscars 2018: How ‘The Shape of Water’ Became a Costume and Sound Contender
Why Guillermo del Toro’s Best Picture frontrunner should be taken seriously for the costume design and sound Oscar races.
‘Blade Runner 2049’ Used Sound to Build a Sci-Fi Dystopia from Scratch — Watch
Denis Villeneuve and his sound design team break down the hellish soundscape of BiBi’s Bar.
‘Baby Driver’ Sound: Watch How Police Sirens Are Mixed to Jam With Jon Spencer Blues Explosion
Edgar Wright’s longtime sound designer Julian Slater breaks down how sound works with music in the film’s opening action scene.
‘Darkest Hour’: Recreating the Sounds of Churchill’s War-Torn London
Sound editor Craig Berkey crafted a psychological soundscape for Joe Wright’s biopic, which earned Gary Oldman a Golden Globe as Winston Churchill.
Oscars 2018: ‘Dunkirk’ and ‘Blade Runner 2049’ Boast Groundbreaking Sound Design
Christopher Nolan’s World War II actioner and Denis Villeneuve’s sci-fi sequel experiment with new soundscapes, blending sound design and score to propel the narrative experience.
2018 Oscar Predictions: Best Sound Editing
Sound is key to spitfire dogfights above Dunkirk, Baby Driver in traffic, and K zooming over L.A. Updated 2/24/18.
‘Hacksaw Ridge,’ ‘La La Land,’ ‘Moana’ Win MPSE Golden Reel Awards
With its two sound editing wins on Sunday, Mel Gibson’s “Hacksaw Ridge” is now the favorite in the Oscar race.
‘La La Land’: How the Sound Team Bridged Fantasy and Reality, And Made Oscar History
The first Oscar-nominated female sound editing team took inspiration from “Boogie Nights” and “Mean Streets” for Damien Chazelle’s Oscar frontrunner.
Oscar Sound Contenders: How ‘Rogue One,’ ‘Hacksaw Ridge,’ and ‘Allied’ Created War and Terror
The sounds of war, terrorism, and other mayhem defined the year in sound editing and mixing.
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![Timothy Olyphant (‘Deadwood: The Movie’) on the ‘genius’ of David Milch [Complete Interview Transcript]](https://i1.wp.com/www.goldderby.com/wp-content/uploads/2019/05/Timothy-Olyphant.jpg?resize=230%2C135&ssl=1&w=300)
Timothy Olyphant (‘Deadwood: The Movie’) on the ‘genius’ of David Milch [Complete Interview Transcript]
