Beyond The Lights | IndieWire

Back to IndieWire

News

/ By Vikram Murthi

Daily Reads: Richard Hell on HBO’s ‘Vinyl,’ Pop Culture’s Problem With Black Women and Weaves, and More

Daily Reads: Richard Hell on HBO’s ‘Vinyl,’ Pop Culture’s Problem With Black Women and Weaves, and More

Feb 16, 2016 12:04 pm /

Features

/ By Sophie Mayer

Book Excerpt: The Future of Feminist Film

Book Excerpt: The Future of Feminist Film

Jan 22, 2016 2:00 pm /

Features

/ By Indiewire

12 Great Movies About Forbidden Romance

12 Great Movies About Forbidden Romance

Nov 18, 2015 12:11 pm /

News

/ By Vikram Murthi

Daily Reads: ‘Magic Mike XXL’ and the Rise of the Female Gaze, a Timeline of Hating Seth MacFarlane, and More

Daily Reads: ‘Magic Mike XXL’ and the Rise of the Female Gaze, a Timeline of Hating Seth MacFarlane, and More

Jun 30, 2015 11:09 am /

News

/ By Anne Thompson

Watch: How Gina Prince-Bythewood Made ‘Beyond the Lights’ Her Way, See it on Netflix (Exclusive Video)

Watch: How Gina Prince-Bythewood Made ‘Beyond the Lights’ Her Way, See it on Netflix (Exclusive Video)

Jun 29, 2015 1:10 pm /

Features

/ By Nigel M. Smith

‘Beyond the Lights’ Director Gina Prince-Bythewood on How to Change Hollywood for Black Filmmakers

‘Beyond the Lights’ Director Gina Prince-Bythewood on How to Change Hollywood for Black Filmmakers

Feb 25, 2015 11:39 am /

News

/ By Max O'Connell

This Week in Home Video: ‘Whiplash,’ ‘Big Hero 6,’ ‘Beyond the Lights’

This Week in Home Video: ‘Whiplash,’ ‘Big Hero 6,’ ‘Beyond the Lights’

Feb 24, 2015 3:13 pm /

Features

/ By Laura Berger, Becca Rose and Tory Kamen

Oscar 2015 Spotlight: 6 Nominees You Should Know About

Oscar 2015 Spotlight: 6 Nominees You Should Know About

Feb 17, 2015 11:31 am /

Features

/ By Inkoo Kang

Quote of the Day: A.O. Scott on the Diminishment of Films About Women

Quote of the Day: A.O. Scott on the Diminishment of Films About Women

Feb 13, 2015 1:34 pm /

News

/ By Ryan Lattanzio

7 Highlights of Athena Film Fest’s Strong Women-Centric Lineup

7 Highlights of Athena Film Fest’s Strong Women-Centric Lineup

Jan 9, 2015 2:50 pm /

Features

/ By Laura Berger

Women Directed 17 of the Top 250 Grossing Films of 2014

Women Directed 17 of the Top 250 Grossing Films of 2014

Jan 8, 2015 9:59 am /

Features

/ By Indiewire

The 21 Biggest Indie Breakout Actors of 2014

The 21 Biggest Indie Breakout Actors of 2014

Dec 23, 2014 10:00 am /

‘Portlandia’ Star Carrie Brownstein on How ‘Six Feet Under’ Inspired Her To Take Risks on TV — Turn It On Podcast

Also: The story behind her favorite “Portlandia” episode of all time, “The Story of Toni and Candace,” and whether she and Fred Armisen will ever revisit the show.

Emmys: Will ‘Handmaid’s Tale’ Triumph Over ‘Game of Thrones,’ and ‘Atlanta’ Over ‘Mrs. Maisel’? — Screen Talk Emmy Edition

Episode 13: The outstanding drama, comedy, and limited series Emmy races may appear to have their frontrunners, but surprises are possible at next month’s ceremony.

Oscar Season is Imminent, But Don’t Forget About These Smaller Films — IndieWire’s Movie Podcast

There are many exciting movies around the corner, but we already have much to celebrate.

‘The Handmaid’s Tale’ Producer Bruce Miller On How the ‘ER’ Pilot Changed the Way He Writes — Turn It On Podcast

The Emmy-nominated showrunner discusses how 1994’s two-hour “ER” premiere “24 Hours” changed TV. Plus: His favorite “The Handmaid’s Tale” episode.

Criterion’s ‘The Tree of Life’ Is Not a Director’s Cut, but a New Movie From Terrence Malick

Malick says that the new, 188-minute edit of his 2011 drama starring Brad Pitt is another version altogether.

Spike Lee’s Longtime Editor: ‘BlacKkKlansman’ Was His Quickest Cut Since ‘Do the Right Thing’

Barry Alexander Brown tells IndieWire about the pair's long-time working relationship, the important lesson he took from “Malcolm X,” and discovering that the actual David Duke was in Charlottesville.

‘Madeline’s Madeline’: Why the Dreamy Movie’s Surreal Imagery Took Six Years and Many Experiments to Get Right

How the melding of Josephine Decker and Ashley Connor’s bold visions and experimental backgrounds resulted in one of the year’s most visually astounding films.

ad