‘A Hidden Life’ Review: Terrence Malick’s Best Movie Since ‘The Tree of Life’ — Cannes
After seven long years of wandering in the desert, Terrence Malick returns with a shatteringly powerful story of faith in crisis.
Cannes
Asif Kapadia Says ‘Diego Maradona’ Is Bigger Than ‘Senna’ and ‘Amy’ Combined
With “Diego Maradona,” the Oscar-winning filmmaker presents the self-destructive soccer legend — and another shot at an Academy Award.
Gaspar Noe’s Psychedelic Mockumentary ‘Lux Æterna’ Might Give You Seizures — Cannes Review
The “Climax” director takes an Yves Saint Laurent assignment and transforms it into a disorienting riff on the filmmaking process.
‘The Lighthouse’ Review: Robert Pattinson and Willem Dafoe Are Nautical Madmen in Gripping Psychodrama
Cannes: Robert Eggers follows up “The Witch” with the best movie about bad roommates ever made.
‘Zombi Child’ Review: Bertrand Bonello Proves that the Past Is Undead — Cannes
There’ve been a lot of movies about Voodoo culture and its colonialist history, but only Bertrand Bonello’s includes a speech about Rihanna.
‘The Whistlers’ Review: A Delightful Romanian Twist on ‘Ocean’s 11’ — Cannes
Corneliu Porumboiu’s enjoyable riff on the heist movie tradition has a unique hook, and is begging for an English language remake.
‘The Best Years of a Life’ Review: A Corny Sequel to ‘A Man and a Woman’ — Cannes
Jean-Louis Trintignant and Anouk Aimée reprise their roles in a touching nod to the Oscar-winning love story, but nostalgia overtakes their chemistry.
20 Cinematographers You Should Know at Cannes 2019
Here are 20 cinematographers, new and old, you’ll want to know as the year’s best in international film is unveiled.
‘The Wild Goose Lake’ Review: Diao Yinan Delivers a Ravishing but Unfocused Chinese Noir
Diao Yinan’s latest noir contains enough flashes of brilliance to certify him as a major filmmaker, but it’s no “Black Coal, Thin Ice.”
Five Things Tilda Swinton Loves About Cannes
Including when she helped give “Fahrenheit 9/11” the Palme d’Or.
Nicolas Winding Refn on His Alejandro Jodorowsky-Endorsed Move to Streaming: ‘This Is the Future’
“My wife’s biological father is Fritz Lang, and I’ve thought, ‘What would my father-in-law go into today?’ It would be streaming.”
Martin Scorsese-Produced Trans Drama ‘Port Authority’ Is Quietly Progressive — Cannes Review
Danielle Lessovitz’s debut is a gritty, naturalistic New York City love story that turns the white male perspective into the outsider.
Newswire
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‘Hitsville: The Making of Motown’ Acquired by Showtime for U.S.
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Trump Goes After ‘Loser’ GOP Congressman Who Said He ‘Engaged in Impeachable Conduct’
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‘John Wick: Chapter 3’ Hits $35M In Overseas Bow; ‘Pikachu’ Nears $300M Global As ‘Endgame’ Tops $2.6B WW – International Box Office
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Quotes of the Week: Arrow, Big Bang, Hawaii Five-0, Kids Are Alright and More
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![Emmys 2019 comedy predictions slugfest: ‘Maisel,’ ‘Veep,’ ‘Barry,’ ‘Good Place’ and many more set to battle [WATCH]](https://i0.wp.com/www.goldderby.com/wp-content/uploads/2019/05/Emmys-Comedy-Slugfest.jpg?resize=230%2C135&ssl=1&w=300)
Emmys 2019 comedy predictions slugfest: ‘Maisel,’ ‘Veep,’ ‘Barry,’ ‘Good Place’ and many more set to battle [WATCH]
