Cannes: All the Movies from the 2021 Festival That Will Make Some Noise This Year
A few weeks ago, it was hard to believe Cannes would happen. Now that it has, the conversation has just begun.
Cannes
‘Vortex’ Review: Gaspar Noé’s Split-Screen Drama Is a Surprisingly Grounded Variation on ‘Amour’
Cannes: The filmmaker uses two icons of cinema and a clever central gimmick to deliver an affecting look at mortality.
‘Blue Bayou’ Review: Justin Chon’s Deportation Tear-Jerker Nearly Sinks Under the Weight of its Melodrama
Cannes: Chon and Alicia Vikander co-star in an overwrought but deeply heartfelt story about America’s deportation of foreign-born adoptees.
‘Vortex’ Clip: Gaspar Noé Reveals a Softer Side with Dario Argento in Split-Screen New Film
Exclusive: Little is known about Noé’s surprise new film, but it does take place entirely in split screen.
‘Belle’ Review: ‘Beauty and the Beast’ Meets ‘The Matrix’ in Mamoru Hosoda’s Dazzling Anime
Cannes: The eye-popping new film from “Miraï” director Mamoru Hosoda offers a wild vision of split identity in the internet age.
‘Memoria’ Review: Apichatpong’s Latest Is More Meditation Than Movie and Masterful for That Reason
Cannes: Tilda Swinton follows Apichatpong Weerasethakul to Colombia in the Thai director’s absorbing and enigmatic achievement.
‘Paris, 13th District’ Review: Céline Sciamma Assists Jacques Audiard’s Sexy, Shallow Tomine Adaptation
Cannes 2021: Jacques Audiard spins three Adrian Tomine graphic novels into a dreamy quilt of stories about love and sex, and sex, and sex.
Vincent Lindon Worked Out for Two Years to Prep for Cannes Hit ‘Titane’
The Cannes-acclaimed actor explained how he accepted the demanding role even though he didn’t fully understand it at first.
‘Red Rocket’ Review: Simon Rex Plays a Trumpian Ex-Porn Star in Sean Baker’s Explosive Character Study
Cannes: Sean Baker’s latest pivot is a roman candle of a movie that wonders if America’s pathological narcissism will ever burn itself out.
‘La Fracture’ Review: The Most Annoying People in the World Converge on a Beleaguered Hospital
Cannes: Catherine Corsini’s piercing French dramedy is painful, funny, and an experience you’ll absolutely beg to end.
‘Benedetta’ Director Paul Verhoeven Is Still Controversial, and Still Doesn’t Understand Why
In a frank interview, the “Showgirls,” “Basic Instinct,” and “Elle” director explains why that Virgin Mary dildo was a dramatic necessity.
‘Titane’ Review: Julia Ducournau Follows ‘Raw’ with One of the Wildest Films to Ever Screen at Cannes
Cannes: Almost certainly the sweetest movie ever made about a serial killer who has sex with a car.
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