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Canon Sundance 2017
Features
‘City of Ghosts’: How Documentarian Matthew Heineman Captured the Story of Heroic Citizen Journalists
The Oscar-nominated director of "Cartel Land" brings IndieWire inside how he filmed his latest documentary without a crew.
By
Chris O'Falt
July 7, 2017 2:36 pm
Features
What Amazon and Netflix’s Demand for 4K Means for Documentaries
For an intimate, verité style shoot like Netflix's "Hot Girls Wanted: Turned On," shooting 4K can alter the work flow.
By
Chris O'Falt
April 4, 2017 2:55 pm
Features
One-Person Crew: The Pros and Cons of Making a Documentary By Yourself
How does being your own cinematographer change how you work as a director.
By
Chris O'Falt
March 27, 2017 6:47 pm
Features
How I Shot That: DP Jim Frohna Brings an Indie Film Approach to Shooting Amazon’s ‘I Love Dick’
After shooting every season of "Transparent" the cinematographer discusses working with series creator Jill Soloway on her new Amazon series.
By
Chris O'Falt
March 8, 2017 12:48 pm
Features
How DP Bob Richman Captured the Stunning Big Sky Landscapes for ‘Rancher, Farmer, Fisherman’
The cinematographer breaks down his approach to capturing the life of a Montana rancher in a new documentary about unlikely environmental activists.
By
Chris O'Falt
March 3, 2017 11:51 am
Features
Sundance Live: Watch Rory Kennedy Discuss ‘Take Every Wave: The Life of Laird Hamilton’
The Academy Award nominated filmmaker talks to IndieWire about her lastest film at the Canon Creative Studio.
By
Chris O'Falt
January 25, 2017 6:00 pm
Features
Sundance Live: Shooting and Editing ‘Icarus,’ The Crazy Doc Netflix Just Bought for $5 Million — Watch
IndieWire sits down with the film's editor and cinematographer at the Canon Creative Studio to bring us behind the scenes of the Sundance hit that has everybody talking.
By
Chris O'Falt
January 24, 2017 2:48 pm
Features
Girl Talk Live: Female Cinematographers on How They Made Their Sundance Films — Watch
IndieWire's Kate Erbland is at the Canon Creative Studio talking to the women who shot some of the festival's most visually interesting films.
By
Chris O'Falt
,
Kate Erbland
January 23, 2017 3:05 pm
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