‘We’re Going to Fly in This Movie’: ‘Elvis’ Cinematographer Mandy Walker on Shooting the King
Walker tells IndieWire about making the Baz Luhrmann biopic — and whether or not she can say anything about “Snow White” yet.
Cinematography
How the Visuals of ‘Yellowstone’ Mix Natural Splendor and Visceral Action
Cinematographer and director Christina Alexandra Voros tells IndieWire about how she showcases the “main character” of the modern-day Western: The land.
‘Top Gun: Maverick’: How They Shot the High-Octane Cockpit Footage
Director Joseph Kosinski and cinematographer Claudio Miranda discussed their secret weapon for shooting inside the jet fighter cockpits: the Sony Rialto Camera Extension System.
Cannes Cinematography: Here Are the Cameras and Lenses Used to Shoot 49 Films
How I Shot That: The world’s best cinematographers tell IndieWire how they created the look of their highly anticipated features at Cannes.
The ‘Winning Time’ Formula for Recreating the Lakers’ Showtime Vibe: Blend Modern and Retro Tech, Add Rollerblades
To connect the camera kinetically and emotionally to the players, the cinematographers utilized a secret weapon: the rollerblade camera.
How ‘Moon Knight’ Made Marc’s Memories a Matter of Life and Death
Cinematographer Greg Middleton discusses the complex camerawork behind Marc and Steven’s trip through the Egyptian afterlife.
How ‘The Northman’ Shot One of the Most Immersive Battle Sequences in Film History
“You plan it out on a map with little soldier figurines, and work it out like a puzzle, one kill and one layer at a time,” cinematographer Jarin Blaschke told IndieWire.
‘Better Call Saul’ Hired a Dance Troupe to Stage the Wordless Season 6 Opening Sequence
Cinematographer Marshall Adams unpacks other sequences from S6 opening episode, including falling ties, uncooperative ants, and one perfectly shadowy drain pipe.
‘The Godfather’ 50th Anniversary: Why Gordon Willis Changed Cinematography Forever
17 directors of photography spoke with IndieWire about the continuing resonance of Gordon Willis’ shadowy, practically lit cinematography
Cinematographer Ari Wegner Makes Oscars History as Second Woman to Be Nominated
Wegner is only the second woman to be nominated for Best Cinematography, following Rachel Morrison in 2018.
‘Last Night in Soho’ Proves Why Chung-hoon Chung Is One the Best Cinematographers Working Today
The unheralded DP talks to IndieWire about his latest collaboration with Edgar Wright in creating the colorful horror of 1960s London.
‘West Side Story’: The Depth, Color, and Beauty of Janusz Kaminski’s Theatrical Images
Cinematographer Janusz Kaminski: “It’s a love story, so why be subtle? It would have been wrong to make it gritty and bleach out the colors.”
Newswire
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Georgetown Tennis Coach to Serve Time for ‘Varsity Blues’ Fraud