How the Gravity-Defying 59-Minute 3D Take in ‘Long Day’s Journey Into Night’ Was Shot
Plus: Watch an exclusive clip of the groundbreaking shot.
Cinematography
How Mike Leigh Shot the Complex, Poetic, Brutal ‘Peterloo’ Massacre
Cinematographer Dick Pope pulled from Kurosawa, iconic illustrations, and documentaries for the crowning achievement of his career.
Cinematographer Benoit Debie Has Become the Master of Color
Miami and the Moondog: Debie finds the sublime shades of “The Beach Bum.”
Academy Picks Four Categories to Present During Oscar Commercial Breaks, Will Stream the Show Online
The live online stream of the Oscars is a new evolution for the broadcast.
ASC Awards 2019: ‘Cold War’ Cinematographer Łukasz Żal Upsets ‘Roma’s’ Alfonso Cuarón
With his ASC victory, Żal makes it a much more competitive Oscar race in the battle of black-and-white movies.
‘Lawrence of Arabia’ Tops ASC List of 10 Best-Shot Films of the 20th Century
Epics dominated this list of visual artistry, where there’s room for black-and-white gems “Citizen Kane” and “Raging Bull.” But so many memorable movies didn’t make the cut.
Netflix Announces Seven New 70mm ‘Roma’ Dates
As expected, Netflix is booking “Roma” in the 70 mm format that filmmaker Alfonso Cuarón most wants the film to be experienced.
Cuarón Tells Lubezki How He Filmed ‘Roma’ — Even One Quiet Shot Needed 45 Camera Positions
As the director embraced being his own cinematographer, he asked himself: “What would Chivo do?”
See How ‘Widows’ Captured Chicago Through Its Use of Color
In exclusive before and after images, go behind the scenes of cinematographer Sean Bobbitt’s collaboration with Steve McQueen and his colorist Tom Poole.
Oscar Cinematography Survey: Here’s the Cameras and Lenses Used To Shoot 35 Awards Contenders
The world’s best cinematographers explain how they created the visual language of “Roma,” “A Star Is Born,” “Black Panther,” “Vice,” and more.
‘First Man’: How Damien Chazelle Used Handheld 16mm Cameras to Cut Through the Neal Armstrong Myth
Chazelle and cinematographer Linus Sandgren found a way to tell a personal story of “the moon and the kitchen sink” by assuming the role of cinema verite documentary filmmakers.
‘First Man’: Shooting the Moon in IMAX to Heighten Neil Armstrong’s Death-Defying Journey
Damien Chazelle and cinematographer Linus Sandgren experimented with IMAX for Neil Armstrong’s historic moon landing as surreal poetry.
Newswire
-
Tribeca Film Review: ‘The Apollo’
-
Prince Estate to Release New ‘Originals’ LP Featuring Previously Unreleased Songs
-
Trevor Noah Of ‘The Daily Show’ Says Jussie Smollett Story Writer Deserves A Raise
-
Riverdale Says Goodbye to Luke Perry: A Rundown of Fred's Final Scenes
-
Best moment in the ‘Survivor’ preview? Ron Clark deviously re-gifting his expired advantage menu to Rick Devens
