‘Portrait of a Lady on Fire’ Cinematography: The Perfect 18th Century Digital Painting
Behind the scene of how Claire Mathon and Céline Sciamma created something truly new in their exploration of the past.
Cinematography
How ‘1917’ Showcases the Future of Camera Stabilization and Movement
Cinematographer Roger Deakins and camera operator Charlie Rizek discuss how the Trinity was used to pull off some of the more difficult shots.
The Visual Language of ‘The Lighthouse’ Is So Much More Than Black-and-White
“The Witch” collaborators Robert Eggers and DP Jarin Blaschke go inside the creation of this year’s surprise Best Cinematography nominee.
How I Shot That: Here Are the Cameras Used to Shoot This Year’s Sundance Films
Check out the lenses and look used to shoot 59 films in the festival’s Dramatic Competition, Premieres, NEXT, and Midnight sections.
Working with Malick: Inside the Dance Between Camera, Actor, and Light in ‘A Hidden Life’
Malick’s camera op-turned-DP and two stars on movement, improv, “The Tree of Life” dogma, even wider lenses, and the switch to digital.
‘Dark Waters’: How Todd Haynes and Ed Lachman Created a Masterful Nightmare
Using Gordon Willis and Alan Pakula’s ‘70s Paranoia Trilogy as a starting point, Haynes and Lachman lensed a visual world of oppressive forces.
Oscar Cinematography Survey: Here Are the Cameras and Lenses Used to Shoot 42 Awards Contenders
DPs explain how they created the visual language of “Joker,” “Irishman,” “Once Upon a Time in Hollywood,” “Parasite,” and more.
Quentin Tarantino Makes Heartfelt Appearance to Celebrate DP Robert Richardson in Poland
“Joker” won the top prize at Oscar bellwether Camerimage, while the Tarantino cinematographer teased, “He just read me something he wrote.”
Shia LaBeouf’s Process Was Unpredictable, So the ‘Honey Boy’ Crew Learned to Improvise
Cinematographer Natasha Braier and her crew had a unique challenge: How to capture LaBeouf’s one-take performances without triggering PTSD.
The Oscar-Predictive Camerimage Festival Lineup Includes ‘Joker’ and ‘The Irishman’
The Polish cinematography festival that Oscar strategists love and that no DP would miss. This year, 13 titles made the competition cut.
Large Format Cameras Are Changing Film Language, From ‘Joker’ to ‘Midsommar’
With the advent of cameras like the Alexa 65, a new generation of large format filmmaker is using its immersive qualities in exciting ways.
100 Years of Cinematography: 13 Films That Show the Evolution of Filmmaking
The New York Film Festival celebrates the ASC’s 100 year anniversary with a 13 film retrospective.
Newswire
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