Three Shows That Are Changing the Look of Half-Hour Comedy
IndieWire goes behind-the-scenes of the unique cinematic style and cinematography of “Atlanta,” “The Good Place,” and “Dear White People.”
Cinematography
AFI and Fox Launch Two Cinematography Programs for Women
The American Film Institute and Fox Studios want to make sure cinematographer Rachel Morrison’s Oscar nomination becomes the norm, rather than a rarity.
‘One Strange Rock’: How Darren Aronofsky Captured Beauty in Actuality Stories on Mother Earth
Cinematographer Simon de Glanville shot monarch butterflies in Mexico, a water fight in Varanasi, and a rocket launch in Kazakhstan as part of the interconnected wonders of Mother Earth.
The Best Cinematographers of the 21st Century, From Roger Deakins to Ellen Kuras
Looking at a cinematographer’s body of work reveals what aesthetic aspects are specific to the cinematographer and how they impact the storytelling of the films they’ve shot.
Cannes 2018: Here Are the Cameras Used To Shoot 32 of This Year’s Films
Cinematography Survey: The world’s best cinematographers explain how they created looks for Terry Gilliam’s “The Man Who Killed Don Quixote,” Spike Lee’s “BlacKkKlansman,” “Under the Silver Lake,” and more.
‘Thoroughbreds’ Created a Colorful Noir Using Natural Light and the Latest LED Technology
Cinematographer Lyle Vincent talks about how he used ARRI’s Sky Panels to create an unique neo-noir lighting scheme.
Roger Deakins Explains Why He Insists on Operating the Camera Himself — Watch
The 14-time Oscar nominee shares with ARRI his philosophy of cinematography
Oscar-Nominated DP Rachel Morrison Learned to React to Characters’ Emotions by Shooting Docs and Reality TV – Watch
The Oscar-nominated cinematographer talks about her career path in a conversation with ARRI.
‘Black Panther’: Oscar-Nominated Rachel Morrison Shot the Most Significant Marvel Movie Since ‘Iron Man’
Morrison reunited with director Ryan Coogler (“Fruitvale Station”) to tackle the MCU as “The Godfather” meets James Bond.
7 Other Women Who Deserved Oscar Nominations for Best Cinematography
Rachel Morrison earned an historic nomination for shooting “Mudbound,” but she’s hardly the first woman who deserved the honor.
Why Todd Haynes and Ed Lachman Are the Most Important Collaboration in Cinema
In “Wonderstruck” the duo recreate the visual language of the gritty ’70s and the formalism of a black and white silent film.
Robert Yeoman Looks Back on Filming Six Wes Anderson Films: ‘We Always Find a Way of Pulling it Off’
From “Bottle Rocket” to “The Grand Budapest Hotel,” we have to thank Robert Yeoman for Wes Anderson’s one-of-a-kind vision.
