The Best Cinematography of the 21st Century
From “Tree of Life” to “In the Mood for Love,” IndieWire ranks the 40 films with the Best Cinematography of last 20 years.
Cinematography
Paul Thomas Anderson’s Former DP Robert Elswit Doesn’t Like the Way ‘Phantom Thread’ Looked
Elswit says he “can’t imagine” he’d shoot “Phantom Thread” the same way Paul Thomas Anderson did.
‘Devs’: Rob Hardy’s Cinematography Brought the Mysterious Research Lab to Life
The secret research facility in Alex Garland’s sci-fi series was an incredible collaboration of cinematography and production design.
‘Portrait of a Lady on Fire’ Cinematography: The Perfect 18th Century Digital Painting
Behind the scene of how Claire Mathon and Céline Sciamma created something truly new in their exploration of the past.
How ‘1917’ Showcases the Future of Camera Stabilization and Movement
Cinematographer Roger Deakins and camera operator Charlie Rizek discuss how the Trinity was used to pull off some of the more difficult shots.
The Visual Language of ‘The Lighthouse’ Is So Much More Than Black-and-White
“The Witch” collaborators Robert Eggers and DP Jarin Blaschke go inside the creation of this year’s surprise Best Cinematography nominee.
How I Shot That: Here Are the Cameras Used to Shoot This Year’s Sundance Films
Check out the lenses and look used to shoot 59 films in the festival’s Dramatic Competition, Premieres, NEXT, and Midnight sections.
Working with Malick: Inside the Dance Between Camera, Actor, and Light in ‘A Hidden Life’
Malick’s camera op-turned-DP and two stars on movement, improv, “The Tree of Life” dogma, even wider lenses, and the switch to digital.
‘Dark Waters’: How Todd Haynes and Ed Lachman Created a Masterful Nightmare
Using Gordon Willis and Alan Pakula’s ‘70s Paranoia Trilogy as a starting point, Haynes and Lachman lensed a visual world of oppressive forces.
Oscar Cinematography Survey: Here Are the Cameras and Lenses Used to Shoot 42 Awards Contenders
DPs explain how they created the visual language of “Joker,” “Irishman,” “Once Upon a Time in Hollywood,” “Parasite,” and more.
Quentin Tarantino Makes Heartfelt Appearance to Celebrate DP Robert Richardson in Poland
“Joker” won the top prize at Oscar bellwether Camerimage, while the Tarantino cinematographer teased, “He just read me something he wrote.”
Shia LaBeouf’s Process Was Unpredictable, So the ‘Honey Boy’ Crew Learned to Improvise
Cinematographer Natasha Braier and her crew had a unique challenge: How to capture LaBeouf’s one-take performances without triggering PTSD.
Newswire
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