Stream of the Day: The Gaspar Noé Films That Shocked, Disgusted, and Dazzled Cannes
Gaspar Noé’s relationship to the Cannes Film Festival is a rollercoaster of boos, standing ovations, controversy, and celebration.
Gaspar Noé’s relationship to the Cannes Film Festival is a rollercoaster of boos, standing ovations, controversy, and celebration.
At year’s end, John Waters’ top 10 list is always a dark treat.
Best Picture-winner “Green Book” doubled its theater count while keeping its gross nearly the same after its big Oscar win.
The Argentine provocateur explains how he envisioned his most acclaimed movie to date as “‘Slacker’ on LSD.”
The “Climax” director shared his thoughts on two Oscar contenders and explained why another ceremony captivates him even more.
Noé shocked audiences at Cannes with his acclaimed dance musical. Now it’s your turn to see what all the fuss is about.
It took a lot of preparation and choreography to pull off what critics say is his best film yet.
Critics agreed Noé’s “Climax” was one of the best offerings at Cannes 2018, and the director embraces his out-of-competition slot.
Noé’s drug trip musical impressed critics at Cannes and is being hailed as the best film of the polarizing filmmaker’s career.
Speaking with Vulture, Noé also says he is shocked by the fact that his new film, “Climax,” earned some of the best reviews out of Cannes 2018.
This story of a dance party gone very wrong is possibly Noé’s best movie, but it’s certainly the best snapshot of a talented filmmaker committed to fucking with your head.
In his newest Cannes debut, the always-original Argentinian filmmaker takes on a group of dancers who are about to have one hell of a bad night.