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Composer Danny Elfman, costume designer Colleen Atwood, production designer Mark Scruton, music supervisor Jen Malone, and visual effects supervisor Tom Turnbull discuss what went into making the unprecedented hit.
The Apple TV+ British spy series comes back for its second outing this December.
Editor James D. Wilcox, composer Benjamin Wallfisch, and supervising sound editors Oliver Tarney and Rachael Tate discussed the Ron Howard film at IndieWire's Consider This FYC Brunch.
"We did not expect the success" of the first movie, producer Ram Bergman said at the IndieWire FYC Consider This Brunch.
How do you make a movie that feels like it takes place largely in someone's head? Iñárritu's latest mixes reality, memory, and fantasy with Fellini-esque flair.
Composer Nathan Johnson and editor Bob Ducsay discussed their work on the film at the IndieWire Consider This FYC Brunch.
Alex Somers discussed composing the score for the Jennifer Lawrence film at IndieWire's Consider This FYC Brunch.
At IndieWire's Consider This FYC Brunch, Neugebauer revealed how flash floods, hurricanes, and the pandemic delayed filming of the Apple TV+ film.
At the IndieWire Consider This FYC Brunch, sound designer Martin Hernandez spoke about working on the Alejandro González Iñárritu film.
Supervising sound editors Oliver Tarney and Rachael Tate took advantage of water's unique traits to create a horrifying ambiance. Hear them and more speak at the IndieWire FYC Consider This Brunch.
Much like the clothing of Wakanda was fueled by Afrofuturism, Ruth Carter looked to Mayan history to design Talokan. Watch her and producer Nate Moore talk about it at the IndieWire FYC Consider This Brunch.
Sacha Jenkins has made films about Rick James, the Wu-Tang Clan, and Louis Armstrong. He thinks the greatest Black musicians have more similarities than differences.
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