Although he’s very ready for it to end, Best Actor nominee Colin Farrell hasn’t ever taken his awards season experience for granted. “To be a working actor is brilliant,” the “Banshees of Inisherin” actor tells IndieWire.
The Oscar-nominated star of “The Whale” has been through this whole awards season thing before — this time, she tells IndieWire, is different. So is she.
The filmmaker’s support of “Le Pupille” and Alice Rohrwacher is the latest step in his crusade to bring a global reach to awards season.
The Best Actress nominee talked to IndieWire about her groundbreaking role in the A24 hit, and thinking, “If I don’t get nominated, all these people will be so goddamn disappointed.”
The Oscar nominee has a utopian dream for her film: that it makes people, yes, talk. She tells IndieWire about the conversations, the characters, and the choices that got her there (and what’s next).
The Oscar nominee explains how he became the “third leg” of the Daniels and why the success of “Everything Everywhere” should be seen as a counterpoint to “Top Gun: Maverick.”
Idris Elba and Gabriel Byrne voice some kindly animals, but the real standout is Pamela Ribon’s frisky feminist comedy “My Year of Dicks.”
“I want to be tested, and pushed, and broken open,” Deadwyler told IndieWire, describing what drew her to her award-winning turn in “Till.”
The actress tells IndieWire about falling (artistically) in love with Daniels, Michelle Yeoh, everything bagels, and the “once-in-a-lifetime” magic of the already-iconic smash hit.
As questions about the future of filmmaking abound, here are some of the biggest takeaways from a very meta Oscar season.
There are choices to be made, but will Academy voters make them?
Composer Danny Elfman, costume designer Colleen Atwood, production designer Mark Scruton, music supervisor Jen Malone, and visual effects supervisor Tom Turnbull discuss what went into making the unprecedented hit.
