No Filmmaking Challenge Can Scare Roxanne Benjamin
Working with kids? Feature-length horror on a TV schedule? The director of “There’s Something Wrong with the Children” says bring them on.
Craft
Oscar Shakeup: Mandy Walker Is Now the Cinematography Frontrunner. She’d Be the First Woman to Win
As one Oscar winner said of the “Elvis” DP: “She did a fabulous job, it would be well deserved. I think everyone would agree as well.”
Oscars 2023: Surprising ‘All Quiet’ Surge Ties ‘Elvis’ for Most Craft Nominations
Edward Berger’s anti-war epic and Baz Luhrmann’s delirious biopic each picked up six craft nods.
Sugar, Spice, Animatronics, and a 10-Year-Old Dancer with a Brown Belt in Karate: That’s What M3GAN Is Made Of
“There are only two or three shots in the movie in which M3GAN is entirely CG,” director Gerard Johnstone told IndieWire.
13 Years Passed Between ‘Avatar’s Because James Cameron Had to ‘Future-Proof’ for the Next Four Sequels
Cameron told IndieWire that follow-ups to “The Way of Water” will arrive at a quicker pace because “we don’t have to stop and retool at each stage of the game.”
2023 Oscars: Could ‘Elvis’ Leave the Building with Wins for Best Costume Design, Production Design, and Sound?
How the Oscar momentum behind Baz Luhrmann’s musical spectacle could spill over into the craft categories.
Guillermo del Toro Walks Us Through the Oscar-Worthy Crafts of ‘Pinocchio’
“We have to execute the same level of precision, realism, but in miniature,” the director said of the stop-motion process that brought his Best Picture contender and Best Animated Feature frontrunner to life.
Building the World of ‘Pachinko’ in K-Drama Backlots and ‘Enemy Architecture’
Unable to shoot in Japan due to COVID-19 restrictions, the Apple TV+ drama plotted a “crazy matrix” of seamless transitions between regions and eras.
‘King Richard’ Editor on Cutting Will Smith’s Performance, Oscar Broadcast Backlash, and Judging ‘Best Editing’
Oscar nominee and ACE winner Pamela Martin talks to IndieWire about how the subtleties of editing are vital to a film — but rarely noticed.
How the Cinematography of ‘The Afterparty’ Planted All the Clues
DP Carl Herse explains how he and Chris Miller gave each character their own distinct visual style, and how the season built to its ending.
Seeing Into the Darkness: ‘The Batman’ Cinematography Is Subtle, Masterful Work by Oscar Nominee Greig Fraser
Matt Reeves and Fraser discuss reuniting on their first collaboration since “Let Me In,” and their distinctly dingy, rain-slick, noir take on Gotham.
How Matt Reeves Made ‘Batman’ His Own, from ‘Chinatown’ to the Batmobile
Filmmaker Toolkit Podcast: Matt Reeves sits down for a deep dive into how he found and created his own distinct Batman.
Newswire
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Jonathan Majors Arrested For Alleged Assault In New York, Actor Denies Wrongdoing
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Jonathan Majors Arrested for Allegedly Strangling, Assaulting, Harassing Woman in New York
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HBO Max’s ‘Gordita Chronicles’ Showrunner Says Show’s Cancellation Is Part Of A “Diversity Problem” In Hollywood
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The Walking Dead: Dead City Gets AMC Premiere Date and a Revealing Promo
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March Madness 2023: Players Still Adapting to New Wilson Ball