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Awards

/ By Carlos Aguilar

Academy Awards Coverage Recap

Academy Awards Coverage Recap

Mar 1, 2014 10:36 pm /

Features

/ By Nigel M. Smith

How Zachary Heinzerling Went From Chronicling the Struggles of ‘Cutie and the Boxer’ to the Phenomenon of Beyoncé

How Zachary Heinzerling Went From Chronicling the Struggles of ‘Cutie and the Boxer’ to the Phenomenon of Beyoncé

Feb 12, 2014 8:14 am /

Awards

/ By Anne Thompson

Why ’20 Feet from Stardom’ Leads the Oscar Doc Pack (UPDATED)

Why ’20 Feet from Stardom’ Leads the Oscar Doc Pack (UPDATED)

Jan 18, 2014 1:51 pm /

News

/ By Paula Bernstein

Stream Them Now: Watch the Oscar Nominated Best Documentary Features Online

Stream Them Now: Watch the Oscar Nominated Best Documentary Features Online

Jan 16, 2014 12:45 pm /

Interviews

/ By Ryan Lattanzio

Oscar Nominee Zachary Heinzerling on Why ‘Cutie and the Boxer’ Was the Right First Feature to Make

Oscar Nominee Zachary Heinzerling on Why ‘Cutie and the Boxer’ Was the Right First Feature to Make

Jan 16, 2014 12:07 pm /

Awards

/ By Anne Thompson

The Directors Guild of America Documentary Five Have Landed

The Directors Guild of America Documentary Five Have Landed

Jan 13, 2014 1:32 pm /

Awards

/ By Peter Knegt

Sarah Polley, Jehane Nouhaim and Lucy Walker Lead Female Majority Nominees For DGA’s Doc Awards

Sarah Polley, Jehane Nouhaim and Lucy Walker Lead Female Majority Nominees For DGA’s Doc Awards

Jan 13, 2014 1:24 pm /

Awards

/ By Eric Kohn

‘The Act of Killing,’ ‘Stories We Tell’ and ‘Cutie and the Boxer’ Top Cinema Eye Honors

‘The Act of Killing,’ ‘Stories We Tell’ and ‘Cutie and the Boxer’ Top Cinema Eye Honors

Jan 9, 2014 11:59 am /

Awards

/ By John Anderson

Cinema Eye and the Changing Oscar Doc Race

Cinema Eye and the Changing Oscar Doc Race

Dec 31, 2013 12:12 pm /

Reviews

/ By Eric Kohn and Steve Greene

‘The Past,’ ‘The Unknown Known’ and ‘The Selfish Giant’ Join Ten Others on Updated List of Best-Reviewed 2013 Films Among Criticwire Members

‘The Past,’ ‘The Unknown Known’ and ‘The Selfish Giant’ Join Ten Others on Updated List of Best-Reviewed 2013 Films Among Criticwire Members

Dec 30, 2013 9:07 am /

Features

/ By Ryan Lattanzio

Where to Stream Ten of the Year’s Best Films

Where to Stream Ten of the Year’s Best Films

Dec 27, 2013 4:16 pm /

Features

/ By Paula Bernstein

For the Year’s Best Documentaries, It All Began With the Casting

For the Year’s Best Documentaries, It All Began With the Casting

Dec 13, 2013 9:31 am /

‘Portlandia’ Star Carrie Brownstein on How ‘Six Feet Under’ Inspired Her To Take Risks on TV — Turn It On Podcast

Also: The story behind her favorite “Portlandia” episode of all time, “The Story of Toni and Candace,” and whether she and Fred Armisen will ever revisit the show.

Emmys: Will ‘Handmaid’s Tale’ Triumph Over ‘Game of Thrones,’ and ‘Atlanta’ Over ‘Mrs. Maisel’? — Screen Talk Emmy Edition

Episode 13: The outstanding drama, comedy, and limited series Emmy races may appear to have their frontrunners, but surprises are possible at next month’s ceremony.

Oscar Season is Imminent, But Don’t Forget About These Smaller Films — IndieWire’s Movie Podcast

There are many exciting movies around the corner, but we already have much to celebrate.

‘The Handmaid’s Tale’ Producer Bruce Miller On How the ‘ER’ Pilot Changed the Way He Writes — Turn It On Podcast

The Emmy-nominated showrunner discusses how 1994’s two-hour “ER” premiere “24 Hours” changed TV. Plus: His favorite “The Handmaid’s Tale” episode.

Criterion’s ‘The Tree of Life’ Is Not a Director’s Cut, but a New Movie From Terrence Malick

Malick says that the new, 188-minute edit of his 2011 drama starring Brad Pitt is another version altogether.

Spike Lee’s Longtime Editor: ‘BlacKkKlansman’ Was His Quickest Cut Since ‘Do the Right Thing’

Barry Alexander Brown tells IndieWire about the pair's long-time working relationship, the important lesson he took from “Malcolm X,” and discovering that the actual David Duke was in Charlottesville.

‘Madeline’s Madeline’: Why the Dreamy Movie’s Surreal Imagery Took Six Years and Many Experiments to Get Right

How the melding of Josephine Decker and Ashley Connor’s bold visions and experimental backgrounds resulted in one of the year’s most visually astounding films.

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