Randall Poster Is Responsible for Your Favorite Needle Drops
Todd Haynes talks about how essential the music supervisor was to the creation of “Velvet Goldmine” and “I’m Not There.”
Todd Haynes talks about how essential the music supervisor was to the creation of “Velvet Goldmine” and “I’m Not There.”
Todd Haynes talks about what has made the “Dark Waters” cinematographer one of his closest collaborators.
Using Gordon Willis and Alan Pakula’s ‘70s Paranoia Trilogy as a starting point, Haynes and Lachman lensed a visual world of oppressive forces.
This year the rich are getting richer at the crowded arthouse, while nouveau entries are finding a tough purchase.
The rich got richer as word of mouth fueled Thanksgiving weekend moviegoing and Netflix’s “The Two Popes” opened soft.
Fall breakout “Harriet,” a biopic about abolitionist hero Harriet Tubman, has already outgrossed “The Favourite” and “Moonlight” — ahead of awards nominations.
Ruffalo’s passion project is a didactic tale of corporate malfeasance, but its environmental concerns have a profound sense of purpose.
A New Yorker profile of the “Dark Waters” director is full of charming bits, including about Haynes’ precocious fixation on the 1964 musical.
Haynes returns after “Wonderstruck” with a true crime story that has connections to Bennett Miller’s “Foxcatcher.”
As distributors jockey for Oscar slots, some films will wait their turn for 2020.
The drama is based on a family’s fight for survival during the 2018 California wildfires.