How ‘Succession’ Unveils Kendall’s Tortured Soul Through Nicholas Britell’s Score — Deep Dive
Also, director Mark Mylod, Jeremy Strong, editor Bill Henry, and DP Patrick Capone break down the “You Have to Be a Killer” scene.
Also, director Mark Mylod, Jeremy Strong, editor Bill Henry, and DP Patrick Capone break down the “You Have to Be a Killer” scene.
Production designer Stephen Carter and director Mark Mylod illustrate how they made life aboard the Roy’s $150 million yacht miserable.
Jesse Armstrong and Mark Mylod break down the dance between the camera operators’ improv and the musicality of Bill Henry’s editing.
Armstrong joins director Mark Mylod, the crafts team, and cast to analyze their Emmy-nominated work on Episode 10, “This Is Not for Tears.”
Creator Jesse Armstrong, director Mark Mylod, the craft team, and cast discuss setting the Roys — and, most importantly, Kendall — adrift in the Season 2 finale, “This Is Not for Tears.”
How sound, camera, and a last-minute 1940s-style ballad by Trent Reznor and Atticus Ross captured the lynching that changed Will Reeves.
Williams, Damon Lindelof, and DP Gregory Middleton go behind the scenes of how they captured the feel of a memory.
Damon Lindelof, director Stephen Williams, and the “Watchmen” craft team take a deep dive in analyzing a key scene from Episode 6.
Showrunner Lindelof and the “Watchmen” nominated crafts team analyze Episode 6, “This Extraordinary Being.”
Creator Damon Lindelof, co-writer Cord Jefferson, director Stephen Williams, and more discuss how an unanswered question from the original “Watchmen” became some of the most formally adventurous TV ever made.