Annapurna: 5 Films That Tell Its Financial Story, From ‘Detroit’ to ‘Bernadette’
In the last two years, Megan Ellison’s Annapurna spent a lot of money making and releasing many movies that looked great on paper.
In the last two years, Megan Ellison’s Annapurna spent a lot of money making and releasing many movies that looked great on paper.
Slow down, Monday-morning quarterbacks: There’s good reasons, lots of them, as to why “Detroit” chose a late-summer release instead of the prestige festival circuit.
The box office drops $112 million from last year as the decline of 2017 continues; Kathryn Bigelow’s “Detroit” expands weakly.
Kathryn Bigelow’s movie is a serious conversation-starter about race, but it may also be able to impact legislation.
The “Detroit” director has moved into a different phase of her career, but hasn’t lost touch with her roots.
The star of Kathryn Bigelow’s daring new film is hoping it will set the stage for more of the work he’s eager to do. (But he still loves “Star Wars.”)
The star of Bigelow’s latest fact-based feature responds to criticisms that the white director wasn’t the right fit for the racially-charged drama.
Lots of specialized releases this weekend, unusual for late July. And most of them did well.
From “Girls Trip” to Gal Gadot, there’s been lots of great news for women at the box office. But it’s still a long way to parity.
Bigelow’s film about the 1967 Detroit riots has considerably more to say about hatred than it does the pain that hatred leaves behind.
Kathryn Bigelow returns to remind us all why she’s one of the best in the game.
The combo behind “The Hurt Locker” and “Zero Dark Thirty” is back to save us from bad political movies and mind-numbing action scenes.