Documentary Filmmakers Need to Stop Saying They Make Documentaries — Column
As big distributors avoid the most exciting documentaries out there, the word “documentary” itself seems to be part of the problem.
As big distributors avoid the most exciting documentaries out there, the word “documentary” itself seems to be part of the problem.
Cinematographers with documentary films at the festival explain the camera, lenses, and look of their films playing in Park City.
Sundance: A bittersweet documentary tells the story of New York’s gentrification through the women who once worked the Meatpacking District.
Melissa Lesh and Trevor Frost write about weathering brain surgery and mental health struggles — and the strength they found in each other to carry on.
Documentarian Tim Travers Hawkins directs this month’s second Netflix offering about serial killer Charles Cullen. Too bad it’s already been bested by a far superior narrative feature.
On the one hand, musical genius. On the other, murderer. Where do the two halves meet? Can they ever?
Firehouse Cinema co-founder Jon Alpert says there are “too many Ken Burns movies, not enough others.”
Discovery+’s “House of Hammer” is for individuals who aren’t on social media.
Venice: The avant-garde filmmaker and promoter gets a loving, but not hagiographic, documentary.
Exclusive: The Telluride-bound documentary is a photorealistic journey to the surface of the red planet, but it’s just as much about the scientists behind the scenes.
Cowperthwaite knows her new docuseries is controversial: “We’re poking the dragon,” she tells IndieWire.
Gabriela Cowperthwaite’s latest tackles a complicated issue with appropriate nuance.