Documentarian Tim Travers Hawkins directs this month’s second Netflix offering about serial killer Charles Cullen. Too bad it’s already been bested by a far superior narrative feature.
On the one hand, musical genius. On the other, murderer. Where do the two halves meet? Can they ever?
Firehouse Cinema co-founder Jon Alpert says there are “too many Ken Burns movies, not enough others.”
Discovery+’s “House of Hammer” is for individuals who aren’t on social media.
Venice: The avant-garde filmmaker and promoter gets a loving, but not hagiographic, documentary.
Exclusive: The Telluride-bound documentary is a photorealistic journey to the surface of the red planet, but it’s just as much about the scientists behind the scenes.
Cowperthwaite knows her new docuseries is controversial: “We’re poking the dragon,” she tells IndieWire.
Gabriela Cowperthwaite’s latest tackles a complicated issue with appropriate nuance.
Joe Hunting’s documentary “We Met in Virtual Reality” might look like an animated movie, but it was shot entirely in the VRchat platform. Here’s how.
“Dreaming Walls: Inside the Chelsea Hotel” presents a contemplative, if incomplete elegy for a hotel whose history is still being eroded.
In the nonfiction “Bitterbrush,” two women on the range turn “cowboy” into a verb.
Tribeca: Camilla Hall and Jennifer Tiexiera explore the ethics of doc filmmaking alongside faces from “The Staircase,” “Hoop Dreams,” and more.
