Joe Hunting’s documentary “We Met in Virtual Reality” might look like an animated movie, but it was shot entirely in the VRchat platform. Here’s how.
“Dreaming Walls: Inside the Chelsea Hotel” presents a contemplative, if incomplete elegy for a hotel whose history is still being eroded.
In the nonfiction “Bitterbrush,” two women on the range turn “cowboy” into a verb.
Tribeca: Camilla Hall and Jennifer Tiexiera explore the ethics of doc filmmaking alongside faces from “The Staircase,” “Hoop Dreams,” and more.
Tribeca: Rodrigo Reyes’ documentary explores, through recreating key moments, the life of a young man serving life in prison for murder.
The documentarian opens up to IndieWire about the film — which he says is best seen in IMAX.
Poh Si Teng, the former funds and enterprise program director at the International Documentary Association, shares the keynote address she delivered at CPH:DOX.
The producer behind everything from “Wall Street” to “American Psycho” told IndieWire about his wide variety of material that’s still ripe for production.
Rory Kennedy started out scared of flying. When she looked into back-to-back crashes of two Boeing 737 MAX aircraft, she was terrified.
Amy Poehler directs the Amazon Studios documentary about Lucille Ball and Desi Arnaz.
Documentary filmmakers share with IndieWire which cameras they used to their new films, and why they were the best choice.
Exclusive: Director W. Kamau Bell said the “next step” is really about system reform, not “a rapist who had a TV show once.” Watch the IndieWire Studio presented by Adobe interview.
