Ed Lachman Looked to the Past to Expand the Cinematographer’s Paintbox
Todd Haynes talks about what has made the “Dark Waters” cinematographer one of his closest collaborators.
Todd Haynes talks about what has made the “Dark Waters” cinematographer one of his closest collaborators.
From “Tree of Life” to “In the Mood for Love,” IndieWire ranks the 40 films with the Best Cinematography of last 20 years.
Using Gordon Willis and Alan Pakula’s ‘70s Paranoia Trilogy as a starting point, Haynes and Lachman lensed a visual world of oppressive forces.
Exclusive: Cuarón and Lachman discuss “Roma”‘s unique black-and-white aesthetic in a new video, “Capturing the Invisible Unknown.”
The astounding production brought Italian Neo-Realism to Appalachia, but distributors recut it as an exploitation film. Years later, Nicolas Winding Refn has restored it to its former glory.
In “Wonderstruck” the duo recreate the visual language of the gritty ’70s and the formalism of a black and white silent film.
Watch two of the greatest cinematographers in history talk about their craft.
Todd Haynes never settles for what’s been done before, and he doesn’t do it now.
The legendary cameramen behind “Wonderstruck” and “Wonder Wheel” shared the stage for a New York Film Festival master class.
Cinematographer Edward Lachman breaks down the unique way he shot Todd Haynes’ latest masterpiece.
The Oscars’ Year of the Crucible: Evaluating the Nominees for Best Cinematography
How I Shot That: Ed Lachman Overcomes the Usual Challenges to Lens the Audacious ‘Wiener-Dog’