Ed Lachman Looked to the Past to Expand the Cinematographer’s Paintbox
Todd Haynes talks about what has made the “Dark Waters” cinematographer one of his closest collaborators.
Ed Lachman
The Best Cinematography of the 21st Century
From “Tree of Life” to “In the Mood for Love,” IndieWire ranks the 40 films with the Best Cinematography of last 20 years.
‘Dark Waters’: How Todd Haynes and Ed Lachman Created a Masterful Nightmare
Using Gordon Willis and Alan Pakula’s ‘70s Paranoia Trilogy as a starting point, Haynes and Lachman lensed a visual world of oppressive forces.
Alfonso Cuarón Tells Cinematographer Ed Lachman How He Shot ‘Roma’
Exclusive: Cuarón and Lachman discuss “Roma”‘s unique black-and-white aesthetic in a new video, “Capturing the Invisible Unknown.”
‘Spring Night, Summer Night’: One Film’s Bizarre 50-Year Journey to Its Long-Delayed New York Film Festival Premiere
The astounding production brought Italian Neo-Realism to Appalachia, but distributors recut it as an exploitation film. Years later, Nicolas Winding Refn has restored it to its former glory.
Why Todd Haynes and Ed Lachman Are the Most Important Collaboration in Cinema
In “Wonderstruck” the duo recreate the visual language of the gritty ’70s and the formalism of a black and white silent film.
Cinematography Legends Vittorio Storaro and Ed Lachman Give a Once-in-a-Lifetime Master Class – Watch
Watch two of the greatest cinematographers in history talk about their craft.
‘Wonderstruck’: Todd Haynes Blows Up Cinema, One Genre at a Time
Todd Haynes never settles for what’s been done before, and he doesn’t do it now.
Digital Cinematography Smackdown: Vittorio Storaro and Ed Lachman Debate, With Love
The legendary cameramen behind “Wonderstruck” and “Wonder Wheel” shared the stage for a New York Film Festival master class.
‘Wonderstruck’ DP Edward Lachman Tells All: How He Created the Eloquence of Silent Movies and the Grit of ‘The French Connection’
Cinematographer Edward Lachman breaks down the unique way he shot Todd Haynes’ latest masterpiece.
The Oscars’ Year of the Crucible: Evaluating the Nominees for Best Cinematography
The Oscars’ Year of the Crucible: Evaluating the Nominees for Best Cinematography
How I Shot That: Ed Lachman Overcomes the Usual Challenges to Lens the Audacious ‘Wiener-Dog’
How I Shot That: Ed Lachman Overcomes the Usual Challenges to Lens the Audacious ‘Wiener-Dog’
