‘The Handmaid’s Tale’ Season 4 Teaser: June Joins the Resistance
The new season of the show returns to Hulu on April 28.
Elisabeth Moss
Elisabeth Moss Runs on Pain, Real and Imaginary, in ‘The Invisible Man’ and ‘Shirley’
As the powerhouse explains, a neck injury enhanced her demented turn as Shirley Jackson. But other than that, Moss insists she’s no method actor.
Elisabeth Moss to Star in Apple TV+’s ‘Shining Girls,’ Leonardo DiCaprio to Executive Produce
The upcoming Apple TV+ series is based on the 2013 best-selling novel by Lauren Beukes.
Elisabeth Moss Interview Uncut: Talking ‘Shirley,’ ‘Handmaid’s,’ Cats, and Cubs
Elisabeth Moss also has better taste in TV and film than you.
‘Handmaid’s Tale’ Teaser: Unite and Fight with Season 4 in 2021 — Exclusive
The minute-and-a-half teaser includes the action of last season, when former Handmaid June Osborne led a rebellion to rescue the children of Gilead.
Elisabeth Moss Loves Playing Messy Characters, but in Shirley Jackson, She Found One Like Herself
Moss and her co-star Michael Stuhlbarg talk making “Shirley,” a hallucinatory anti-biopic consistent with the work she has been doing all along.
‘The Handmaid’s Tale’ Turned a DC on the Verge of Shutdown into a Gilead Hellscape — Watch
Exclusive: IndieWire shares a new featurette about life imitating art imitating life in the Hulu series, which released its third season last summer.
‘Shirley’ Trailer: Elisabeth Moss, Josephine Decker Are a Powerhouse Duo in Sundance Hit
Michael Stuhlbarg, Logan Lerman, and Odessa Young co-star in one of the best films out of the 2020 Sundance Film Festival.
‘The Invisible Man’ Ending: Elisabeth Moss, Leigh Whannell Break Down Two Biggest Shocks
With nearly $50 million worldwide on a $7 million budget, “The Invisible Man” is one of the year’s first breakout hits.
‘Invisible Man’ Male Director Asked Elisabeth Moss to Correct His Script, Ensure Female POV
“The Invisible Man” centers around a female abuse victim, so its male writer and director knew a woman’s perspective was essential to pulling it off.
‘The Invisible Man’ Review: Elisabeth Moss Can’t Save This Confused Privacy Thriller
“Saw” writer Leigh Whannell mixes metaphors in this limp remake, using gaslighting and privacy fears for his uneven sci-fi horror.
With ‘Her Smell’ and ‘Us,’ Elisabeth Moss Becomes a Modern Master of Women on the Verge
Moss talks about raising hell in her 2019 roles, why she backed out of Jane Campion’s next film, and the “weird dream” of “The French Dispatch.”
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