“There’s an underbelly to Mary Poppins,” said Blunt, who embraced the duality of the P.L. Travers character as she sang and danced and cried through Rob Marshall’s musical sequel.
Emily Blunt is spectacular, but the dull “Mary Poppins Returns” is too high on nostalgia, and too low on imagination.
Production designer John Myhre coined the term “London-y” for embracing Rob Marshall’s new take on the Disney classic.
In addition to her charismatic portrayal of the beloved nanny, the Disney re-imaginging should also raise Oscar hopes for a wide range of crafts.
Lin-Manuel Miranda co-stars in Rob Marshall’s Christmas family tentpole.
With “Sicario 2: Day of the Soldado” gearing up for release, producer Trent Luckinbill is already thinking about how the trilogy will be completed.
We all know the classic queer films, but do you remember Leonardo DiCaprio’s turn as a young Arthur Rimbaud, or Saldana’s romance with Mila Kunis?
Paramount Pictures confirmed at CinemaCon last month it is developing a sequel to Krasinski’s 2018 horror smash hit.
Industrial Light & Magic had to do a last-minute redesign when the creature wasn’t scary enough. But they made the right choice by adding teeth and no eyes.
Bryan Woods and Scott Beck co-wrote the script with director John Krasinski, and the duo are already bracing for what’s next.
We breakdown a real nail biter of a scene for sound and score in John Krasinski’s horror hit. SPOILERS AHEAD.
“A Quiet Place” shocked the industry with its $50 million opening.
